How to Succeed with Binary Options Trading at Home 2020

Trade binary options on the real market quotes on BAEX Blockchain eliminates exchange rate manipulation!

Trade binary options on the real market quotes on BAEX Blockchain eliminates exchange rate manipulation!
Hello. 👋🏻 Today we will tell you about trading binary options on real market quotes.
📌 A quote is the value of a product at a specific point in time. The change in quotes occurs due to a change in the ratio between buyers' and sellers' orders. For example, if the total volume of sellers 'orders dominates the total volume of buyers' orders, then the asset's market price will decrease.
📌 Binary options quotes are an important concept for a trader. Successful trading without taking into account the indicator is simply impossible. Therefore, it is simply necessary to follow their changes. It is the asset price indicators that provide information about the state of the market.
📌 Quotes are indicative and real. The first is just information for reference. But to buy, for example, a currency at the exchange rate you saw, you need a real indicator - it is at this indicator that all transactions will be made.
❓ Where can you trade real binary options?
✔️ It is best to trade real Binary Options on blockchain-based exchanges like the BAEX Platform. This platform operates as an open-source smart contract on the Ethereum blockchain. The source code proves that BAEX is a 100% transparent, fair, self-balancing binary options trading system.
Blockchain eliminates exchange rate manipulation! BAEX Oracle interacts with Yahoo Finance and stores quotes to the blockchain.
Profitable deals are determined by a smart contract, according to Yahoo Finance, one of the world's largest providers of quotes. All deal rates are stored in the blockchain and can be checked at any time.
❗️ A unique feature of BAEX is that it is possible to trade binary options on real market quotes of the most popular stocks, currencies, and indices for the first time. Trade Tesla, Apple, Amazon, SP500, EUR / USD, and other traditional stock instruments directly through the blockchain!
💡 In BAEX, not only can you trade options, but you also provide liquidity for other traders as a counterparty.
✔️ With BAEX tokens, you can trade options through the blockchain and earn almost instantly! Typically, the profit will be in the range of 180 to 220% of the trade volume, but the system automatically adjusts the odds based on the loss to win ratio.
💰 BAEX is the only binary options system where the profit can exceed 100%!
🔥 Register now: https://baex.com
https://preview.redd.it/lhu6uvz76xp51.png?width=1200&format=png&auto=webp&s=ed6b53e10e19f433a77b2b8e96e6f1a91c8910cf
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Trade binary options on the real market quotes on BAEX Blockchain eliminates exchange rate manipulation!

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Trade binary options on the real market quotes on BAEX Blockchain eliminates exchange rate manipulation!

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Trade binary options on the real market quotes on BAEX Blockchain eliminates exchange rate…

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Google to ban cryptocurrency, initial coin offering ads

This is the best tl;dr I could make, original reduced by 48%. (I'm a bot)
Google will ban online advertisements promoting cryptocurrencies and initial coin offerings starting in June, part of a broader crackdown on the marketing of a new breed of high-risk financial products.
Alphabet Inc.'s Google announced the decision Wednesday night in an update to its policy, which says it will begin to block ads for "Cryptocurrencies and related content." Facebook Inc. took a similar step in January, leaving the two largest web-ad sellers out of reach of the nascent digital-currency sector.
Google queries for terms like "Binary options" and "Buy bitcoin" produce four ads at the top of the results.
Google's updated policy came with the release of its annual "Bad ads" report, a review of the number of malicious, deceptive and controversial ads Google scrubs from its massive search, display and video network.
Last year Google pulled 79 million ads for luring online clickers to websites with malware.
The company suspended 7,000 customer accounts for ads that impersonated a news article - what Google calls "Tabloid cloaking" - and blocked more than 12,000 websites for copying information from other publications.
Summary Source | FAQ | Feedback | Top keywords: Google#1 ad#2 cryptocurrency#3 billion#4 policy#5
Post found in /news and /CryptoCurrency.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
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Google to Ban Cryptocurrency, Initial Coin Offering Ads in June

This is the best tl;dr I could make, original reduced by 48%. (I'm a bot)
Google will ban online advertisements promoting cryptocurrencies and initial coin offerings starting in June, part of a broader crackdown on the marketing of a new breed of high-risk financial products.
Alphabet Inc.'s Google announced the decision Wednesday in an update to its policy, which says it will begin to block ads for "Cryptocurrencies and related content." Facebook Inc. took a similar step in January, leaving the two largest web-ad sellers out of reach of the nascent digital-currency sector.
Google queries for terms like "Binary options" and "Buy bitcoin" produce four ads at the top of the results.
Google's updated policy came with the release of its annual "Bad ads" report, a review of the number of malicious, deceptive and controversial ads Google scrubs from its massive search, display and video network.
Last year Google pulled 79 million ads for luring online clickers to websites with malware.
The company suspended 7,000 customer accounts for ads that impersonated a news article - what Google calls "Tabloid cloaking" - and blocked more than 12,000 websites for copying information from other publications.
Summary Source | FAQ | Feedback | Top keywords: Google#1 ad#2 cryptocurrency#3 billion#4 policy#5
Post found in /Buttcoin, /worldnews, /CryptoCurrency and /JustBadNews.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
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Israel: World Online Fraud Center

This is an automatic summary, original reduced by 90%.
"The wolves of Tel Aviv" is the headline on the Times of Israel-an article published by the Jerusalem-based newspaper which openly admits that Israel is the center of the world's "Binary options" fraud scam-a practice so illegal that the US has outlawed it.
The binary scam in Israel works on the same basis that Belfort's fraud operated: high pressure telephone calls to non-Jews all over the world to persuade them to "Invest" in a financial product called "Binary options."
The Times of Israel reveals that Guralnek was placed in a call center with about fifty others, all of them "New [Jewish] immigrants to Israel" who were fluent in a variety of languages.
He went on to reveal the secrecy which the "Binary options" companies in Israel operate: he was never told the surnames of his managers, and the workers were all prohibited from speaking Hebrew or bringing cellphones into the call center.
According to the IVC Research Center, a company that provides information about Israel's technology sector, "It's difficult to gauge the actual size of the online financial trading industry in Israel," in part because the industry is "Low-key" and its "Israel nexus is often understated."
As the Times of Israel admits, while Jews in Israel are protected from this scam, "The rest of the world will still be fair game."
Summary Source | FAQ | Theory | Feedback | Top five keywords: Israel#1 Binary#2 option#3 company#4 customer#5
NOTICE: This thread is for discussing the submission topic only. Do not discuss the concept of the autotldr bot here.
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Wasteland 3 - Review Thread

Game Information

Game Title: Wasteland 3
Platforms:
Trailers:
Developer: inXile Entertainment
Publisher: Deep Silver
Review Aggregator:
OpenCritic - 84 average - 97% recommended - 39 reviews

Critic Reviews

33bits - Juanma F. Padilla - Spanish - 95 / 100
After the excellent Wasteland 2, we were excited to get our hands on the new installment, and we can say without fear that it has met expectations. Wasteland 3 is a sign of the love that InXile has for his work and Brian Fargo for the genre that has created a name for him. If you are a lover of the saga or the genre, do not hesitate to enjoy it.
ACG - Jeremy Penter - Buy

Video Review - Quote not available

Attack of the Fanboy - Diego Perez - 4.5 / 5 stars
Wasteland 3 is one of the best RPGs I've played in years, and it's one you absolutely should not skip.
CGMagazine - Lane Martin - 9 / 10
Wasteland 3 is a lovely return to the post nuclear apocalypse with fun gameplay and interesting choices at its forefront, though at times it can be a bit clumsy in its implementation.
COGconnected - Tony Bae - 90 / 100
Wasteland 3 doesn’t pull any punches with its subject matter in sexuality, violence, and language. But if you are fine with that, I would highly recommend you give Wasteland 3 a shot, especially if you were (or still are) a Fallout fan.
Cerealkillerz - Julian Bieder - German - 8.8 / 10
On Paper Wasteland 3 sounds like the perfect RPG-Dream but the execution leaves much to be desired. Bugs, Glitches and graphics that doesn't really represent a game that releases and the end of this console generation are a bit of a letdown. Everything else from the great story, entertaining NPCs, solid battle system, clever leveldesign over to the love for details is amazing, besides some flaws that should soon be fixed, as inXile and Brian Fargo promise. Everyone that wasn't happy with the latest Fallout Games will surely love Wasteland 3.
Chicas Gamers - Adrián de Francisco - Spanish - Unscored
Wasteland 3 is a old-school role-playing game, with a compelling story, a combat system that promises but is not groundbreaking and some funny moments and black mood, which always remind us that we are in a post apocalyptic world, but with a smile. Don't forget the powerful character editor, rhythm voices, and the beautiful scenery that puts you in that atmosphere of cold and snowy Colorado.
Cram-Gaming - Robert Cram - 8.5 / 10
Wasteland 3 can be a bit of slog if you're gunning for marathon gaming sessions with it at the helm. Combat, whilst exciting initially can fall into the traps of repetition. A little more variety could have negated some of the repeated player actions. That said, the story is compelling and the characters an interesting assortment of misfit survivors, although perhaps fitting post-apocalyptic stereotypes. It's a fun, easy to play game overall though that should well-please fans of the series and keep players entertained for quite some time with its high replay-value. However, aside from some bugs here and there, the impressive amount of voice-work on offer, the character building is the best part of the experience where you can really nurture your ranger squad in this snowy post-apocalyptic world.
Digital Trends - Tom Caswell - 4 / 5 stars
Wasteland 3 is a rewarding game that offers unprecedented choice and is a great jumping on point for new players.
DualShockers - Kris Cornelisse - 9 / 10
Improving on its predecessor in almost every way, Wasteland 3 is one of the best and most reactive RPGs I've played in a long time.
EGM - Mollie L Patterson - Unscored
At least in my time with it, Wasteland 3 has been a fascinating experience. I’ve come to appreciate its depth of gameplay, character, building, and exploration, even if some of its pieces and parts still feel very foreign to me.
Entertainium - Eduardo Rebouças - Unscored
I will be even happier with Wasteland 3 once it’s patched and most of the bugs that bit me end up getting squashed. Even in its current state I’m having a grand ol’ time bringing some justice to the cold depths where no Ranger has dared to before. But for as much of a blast as I’m having out northeast in the cold, I hope I can make it back to sunny Arizona in time to save my fellow lawmen!
Eurogamer - Wesley Yin-Poole - Recommended
inXile's old-school RPG is the Fallout game we've been craving.
Fextralife - Castielle - 8.3 / 10
Wasteland 3 is a throwback to the old School RPGs of yesteryear, while providing a new combat experience and a bigger world. Players that liked previous Fallout Games, or games like Wasteland 2 or Baldur's Gate will feel right at home with this title, and will have the opportunity to try X-Com like combat. For the amount of content provided, 60 USD is a very good price, and fans of the genre should get more than their money's worth.
GAMES.CH - Nedžad Hurabašić - German - 83 / 100
Wasteland 3 is absolutely worth the money - the RPG brings dozens of hours of fun gameplay to the table. A must-buy for roleplayers.
Game Revolution - Jason Faulkner - 4 / 5 stars
Wasteland 3 is a marvel of a game, especially from a small studio like inExile. It’s not without its flaws, but the excellent writing and enthralling world overshadow those.
GameSkinny - Daniel Hollis - 9 / 10 stars
Wasteland 3 invokes feelings of classic RPGs such as Fallout and manages to nail the feel and tone perfectly in a modernized setting.
GameWatcher - Marcello Perricone - 8.5 / 10
A fantastic RPG that superbly mixes player choice and great combat to something bigger than the sum of its parts.
GamesRadar+ - Andrew King - 4 / 5 stars
Wasteland 3 doesn't bring much new to the table, both as a CRPG and as a piece of post-apocalyptic fiction. But, it's a terrifically executed role-playing game that rewards player investment from beginning to end.
GamingBolt - Ravi Sinha - 9 / 10
Wasteland 3 is a heady crescendo of post-apocalyptic story-telling. Its combat is compelling and fun while its characters and overall plot are engrossing, even when it goes to some dark places. A must-play for tactical RPG fans.
Gert Lush Gaming - Jim Smale - 9 / 10
Wasteland 3 is the defacto strategy experience and one that every gamer owes themself the pleasure of playing.
God is a Geek - Mick Fraser - 9.5 / 10
Wasteland 3 is a huge undertaking, marrying deep, choice-driven role play with fast-paced tactical combat and vast areas to explore.
IGN Spain - Álex Pareja - Spanish - 8 / 10
Wasteland 3 knows how to open to new players keeping the old school essence. It's not a revolution on the genre or in the post apocaliptic proposal, but it won't matter to the franchise lovers.
Niche Gamer - Cwb - 3.5 / 10
We’ll update this review if the game is fixed, and the issues outlined are fixed or at least addressed; and then I’ll pick it back up. As it stands now, I’ll be playing something else that isn’t as apt to crash. Buyer beware.
PC Gamer - Jody Macgregor - 84 / 100
A wilfully strange setting explored through a predictable but enjoyable old school RPG thats been streamlined just enough.
PC Invasion - Jason Rodriguez - 8.5 / 10
There are a few misgivings related to Wasteland 3's technical aspects, mechanics, and overall challenge. However, its cast of characters (both old and new), the switch to a traditional turn-based combat system, and branching paths filled with decisions and dire consequences make for a superb journey with the Desert Rangers.
PCGamesN - Gina Lees - 9 / 10
Lurid characters, a deep RPG system, and captivating combat set in an unhinged apocalypse - inXile Entertainment's latest shouldn't be missed.
Player2.net.au - Matt Hewson - A or higher
With a focus on freedom of choice that is second-to-none, Wasteland 3 has set the benchmark for CRPG narratives, all the while being supported by wonderfully engaging gameplay and roleplaying mechanics.
PowerUp! - Leo Stevenson - 9.7 / 10
If you’re an RPG fan, a Fallout fan or even just a videogame fan, do yourself a favour and play one of this year’s very best games; Wasteland 3.
Saving Content - Scott Ellison II - 5 / 5 stars
It took me a while to realize how much these interactions, whether it be the interpersonal conversation or combat encounters themselves, stuck with me. Wasteland 3 has rules, but they only exist for you to bend them. With limitless character creation combinations, branching dialogue choices that affect what quests you do or don’t experience, and multiple endings, Wasteland 3 is an expanse of content and opportunity. The change in locale does wonders, no longer relying on a tired post-apocalyptic biome. Wasteland 3 has a wonderful backdrop in Colorado’s frozen wastes, making it the perfect place to spend a nuclear winter.
Screen Rant - Christopher Teuton - 4 / 5 stars
Wasteland 3 takes players to a new location and presents them with equally unfamiliar challenges, yet still perfectly demonstrates all of the reasons why this series has had die-hard fans for over three decades, and is absolutely worth playing for anyone looking for their next post-apocalyptic fix.
Shacknews - Josh Hawkins - 9 / 10
If you’re a big fan of the original Wasteland games, or just an RPG fan in general, then I highly recommend picking up Wasteland 3 and giving it a try.
Spaziogames - Paolo Sirio - Italian - 8.3 / 10
Wasteland 3 doesn't change its predecessor's successful formula but, outside of certain design limitations, it perfects and modernizes it. It's easily the best game in the franchise, in terms of pure technique, and one that clearly gives you an idea of what inXile is able to achieve.
The Games Machine - Danilo Dellafrana - Italian - 8.7 / 10
Wasteland 3 is a good role-playing game, technically passable but enriched by a dense network of intriguing subplots that will push the most dedicated to play it several times. Watch out for the ever-present release bugs, though – best to wait a couple patches if you want to avoid unnecessary hurdles.
TrustedReviews - Alastair Stevenson - 4 / 5 stars
Wasteland 3 is a solid tactical RPG that will keep fans of the genre entertained for hours upon hours. But it doesn't do enough to bring the genre forward to a mainstream audience.
WayTooManyGames - Thomas Medina - 9 / 10
All in all, this is the game I wanted so badly for Wasteland 2 to be. It doesn’t just repeat what came before, but expands upon it all. Not just mechanically, but story wise as well.
Wccftech - Francesco De Meo - 9 / 10
Wasteland 3 features everything only the best role-playing games do: an engaging story powered by excellent writing, compelling characters, tons of customization options, and a deep tactical combat system that feels fresh even after dozens of hours. But, most of all, it features a living world that reacts to what the player does, and changes depending on how the player decides to deal with the troubles ahead, providing a role-playing experience of the highest degree, one that very few games can boast of.
Windows Central - Jez Corden - 5 / 5 stars
Wasteland 3 is a testament to the power of the branching narrative, taking it far beyond binary choices and into a grand canopy of cause and effect. It gives the wintry climbs of Colorado a lifelike quality that must have been painstaking to build. The most impressive RPG in years, Wasteland 3 is a masterpiece.
XboxEra - Jesse Norris - 9.7 / 10
Wasteland 3 shines with clear dedication to crafting the best game its genre has ever seen. Excellent visuals are matched by top notch voice work and some of the best and most natural writing I have seen in a video game not made by Naughty Dog. The combat is a brutal dance where one wrong move can spell disaster, but victory is an exhilarating rush that never becomes old. Wasteland 3 cements inXile as one of the best in the business in the RPG genre and affirms that Xbox has something truly special on their hands.
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2.9.3 Stable update!

2.9.3 Stable update!
What is up Depthians!
We are back with another monstrous update as this one incorporates five beta test builds, so we have a lot to cover.
If you want to dive straight into the massive changelog/dissertation Click
We should probably start with the biggest change to From The Depths in this update and that is the change of fuel and ammo storage.
Quoting Nick, our lead developer
The change is quite simple: "remove ammo and fuel as separate resources. Weapons will consume materials directly, fuel engines and CJEs will burn materials directly".
Before I dig into why I think this is the right thing for FtD, I'd like to explain a few details.
Energy, fuel and ammo are still needed for your constructs.
We have changed the "ammo barrels (etc)" and "fuel tanks" so they are just alternative material storage containers, but with the following properties:
--"ammo barrels" now increase the maximum possible rate of usage of materials as "ammo" for reloading guns. They still explode.
--"fuel tanks" increase the maximum possible rate of use of materials as "fuel" for fuel engines and CJEs, with the future stretch goal of fuel tanks being flammable.
--So ammo racking is going to remain a feature of the game- vehicles that need to reload a large amount of materials may need additional ammo barrels
Ammo and oil processors are replaced ship-wide with existing material storage containers of the same size. They'll be made decorative blocks so you can still use them decoratively in future if you want to.
The oil refinery will be repurposed (described later in the patch notes)
There are two main reasons why I think this is the right move. Why it's right for the business and why it's right for the player.
Let's start with why I think it's right for the player:
Ammo and fuel containers are currently purchasable as either "empty or full". This is confusing when considered in the context of the campaign, story missions, custom battles, multiplayer matches...how do empty and full tanks behave in these modes? I'd need an hour to study the code and a small essay to explain it. That's not good game design.
Localised resources, when considering just the moving of material (and energy, if you want), becomes infinitely more manageable. The supply group system and the transit fleet system are not intuitive and for a lot of situations, their usage becomes fiddly and too complicated. We've replaced these systems with a new supply system that is much more intuitive for moving materials and energy around.
The UI is less cluttered now that ammo and fuel bars are not shown. This is not a minor point...it'll reduce the amount of data on screen by about 40% in a lot of the different views. It'll be so much easier to know at a glance if a particular fleet is running low on "materials" or doing fine. Is a transport ready to leave, or does it need to pick up more materials? Will a set of vehicles have enough materials for the next fight...this is so much easier with just one main resource type per vehicle.
When you or an enemy run out of ammo or fuel in a battle it's just frustrating. By combining fuel, ammo and materials for repairing you can guarantee that if someone runs out, the fight is going to be over quickly.
I imagine that deep down the majority of players would rather not have to create, stock and resupply fuel and ammo. I know that personally, the requirement to do this puts me off playing the campaign. By using a single material it still focuses the game on making efficient war machines, maintaining supply lines and growing your economy, but without the extra confusion of mat->ammo and mat-> fuel conversion.
Being able to assess weapons, engines and vehicles in terms of material cost and running cost is elegant.
Most grand strategy games and RTS games don't have localised resources, and many don't have more than 2 resource types to handle. Very few combine localised materials with multiple types.
Why it's right for the business:
The ammo and oil processors were created about 8 years ago. Boring single blocks that don't add much to the game. It's been our intention to add something similar to the oil refinery but for ammo creation. That's a lot of work and adds to the complexity of the logistical part of the game, which we feel is already a burden.
Making the localised resource supply system more user friendly to make it easy/natural/pleasant to move ammo, fuel and material around the map would require a lot of effort and, quite frankly, I'm not sure we'd ever manage it.
The complexity of the UI scares off a lot of our customers. The barriers to getting a gun firing or a boat moving will be lowered if a single material container can theoretically get everything working.
Running out of ammo/fuel in combat is a problem for our players. We want to find a solution to that, but it would take a lot of effort to do so. We also want the strategic AI to always enter a battle with enough ammo and fuel for the fight- that's another massive bunch of work.
The campaign's strategic AI has to work hard to get materials where it wants them. It's a bundle of work and added complexity to get NPC fleets to restock ammo and fuel as well.
We had proposed work to make resource dumps (from dead ships) contain ammo and fuel...again, that's more work, more bugs, more testing.
Certain game modes such as story missions, tournament mode, and multiplayer maps should theoretically allow the player to choose the amount of ammo or fuel stocked into their vehicles before the match begins. That's another bundle of work and added complexity we'd like to avoid.
Currently out of play units on the map can run out of fuel and will still continue to move "for free". It's exploitable and we don't have a solution to that...but if all the different out of play movement calculations are burning material, there will be no avoiding the cost.
The development effort can be much better spent polishing up other features that I actually believe in, rather than flogging the dead horse of logistical complexity in an attempt to make it interesting, approachable and fun for everyone (which I fundamentally don't think it would ever be).
Fundamentally I think that by winding back this feature we tie up a large number of loose ends and it results in a far more finished and enjoyable product.
And what's-more everyone on the development team agrees that we enjoy the game for fighting, looting and creating...not staring blankly at dozens of resource bars trying to figure out who needs to head back for more fuel and how long we need to wait for ammunition to process.
We've also simplified the resource transfer system. "Supply groups" and "Transit Fleets" have been replaced with a simple but comprehensive three-tier system. You can mark a vehicle as a "Creator", a "Cargo" or a "User". Creators fill up Cargos (and Users), Cargos give to Users (up to procurement levels). Users equalise their material with their neighbours, so do Creators, and there are a few handy transfers from Users back to Cargo and Creator to make sure they maintain their procurement levels as well. This system covers 95% of the way people were using the resource system and does it all semi-automatically. This simplification is much more possible now that materials are the only resource, as they invariably just need to flow from the resource zones to the front line, with everyone (Creators and Cargo) keeping what they need and passing the rest on. This new resource system also facilitates the long-range transport of materials from refinery to refinery, which is neat. The system also has an option, for Creator and Cargo types, to set their "supply chain index", so if you want to relay materials from output to output in order to accumulate them at a central location you can set the supply chain index to determine which way along the chain the materials will flow. It's all explained in the game.
After spending a lot of time with this new system from adventure to campaign and designer mode, the gameplay feels a little faster to get going and a little simpler for fleet management. As if you didn’t already know, you can shift+right click (with your supply construct selected) on the target construct / flagship of a fleet to keep supplied, keep holding down shift and right-click where you want to pick the resources up from and once again while not letting go of shift, shift+right click on the target construct/flag ship to finish the loop.
This would be done of course after setting up the settings Creator, Cargo and User.
Creator as an example is the harvesting construct, Cargo which would be the supply ship, User which would be a single target construct that uses the mats.
This will keep the supply ship target waypoint updated and therefore your supply ship will always head to the target construct no matter where it has moved to after setting up the loop.
You still need ammo and fuel boxes on your constructs, as these are governing the transfer rate / the speed that stock your turrets and fuel engine with the materials needed for them to run. You can run a construct without fuel or ammo boxes, however, once your APS clips are empty you will see a drop in your rate of fire as the material is not being transferred fast enough, this is the same for fuel engines and CJE.
Another change that goes hand in hand with resource management is the changes to fuel refineries.
In short:
Refineries on a force with greater than 1 million materials on it will begin refining the material into 'commodities' that are stored centrally. Commodities (AKA centralised materials) can be added by the player to any vehicle in allied territory, at any time.
Resource zones have a new feature too, and that is the ability to deactivate a resource zone on your owned tiles and if you own enough territory as you can see from the UI when double-clicking on the resource zone “Zone Deactivation”.
https://preview.redd.it/284w9khtt9t51.jpg?width=1920&format=pjpg&auto=webp&s=9dd61b06b2b6d0431bbb35c44a4d54563b81fbf0
Custom Jet Engines, have had some additional parts and new features.
We have the new ducted air intakes which as you can see have different attachment points
https://preview.redd.it/qaqeplmwt9t51.jpg?width=1920&format=pjpg&auto=webp&s=2ac2019d4b0c908019bf0ef0d53ad3a718fc4f4d
These ducted intakes allow you to have your CJE enclosed inside your construct enabling you to pass ducting through to access airflow outside.
https://preview.redd.it/pge1x43yt9t51.jpg?width=1920&format=pjpg&auto=webp&s=f2ee0cf35276f45feeb7320b29d844fa54776cdf
https://preview.redd.it/scych37zt9t51.jpg?width=1920&format=pjpg&auto=webp&s=1bf7559bc2379b692b7a318ba8f43708f5bba81e
And as you can see in the pic below they are enclosed and making use of the air duct intakes.
https://preview.redd.it/ucidv351u9t51.jpg?width=1920&format=pjpg&auto=webp&s=7d93e0c08d381fcaea2bcfc315c7b676f4006b51
You can also funnel the exhaust of your CJE's that would be under the waterline by using the two new connector blocks, a 90-degree corner and an extension piece which allows them to work as long as you funnel the exhaust out above the waterline.
https://preview.redd.it/aiofdee2u9t51.jpg?width=1920&format=pjpg&auto=webp&s=72c1dd2023195ef2337704d0547904031ad97e6c
PACs have also had a rework and new additions.
We now have the long-range lens which has a circular 10° field of fire, the close-range lens which has a circular 35° field of fire, the scatter lens which has a circular 30° field of fire, and the vertical lens which has a 10° horizontal / 60° vertical field of fire (good for AA). The other differences between them is the percentage of damage drop off at certain ranges, which is marked in their UI.
https://preview.redd.it/zvg2u0c5u9t51.jpg?width=1920&format=pjpg&auto=webp&s=567a2c4e092ea5fef62e67b051a74151e48b58d4
https://preview.redd.it/mboi63c5u9t51.jpg?width=1920&format=pjpg&auto=webp&s=78690d46df1466844cc38ff6b6623a30d910b726
One other awesome change to the PAC system is that melee lenses do not need to be hooked up to the now called long-range lens. Simply setup your melee head and snakey noodle PAC tubes with a terminator on the end, then link up to your other melee lens via Q in the drop-down menu. The scatter lens also deserves some attention here, as it can double up the number of beams if we increase the charge time max x4 at 30 seconds. The PAC system has had many tweaks which you should check up on in the changelogs.
Shields have also had some love. Projector shields reflect and laser scatter modes are now merged and have also had a slight buff to ricochet chance. Ring shields armour bonus has also increased by 50%.
We also have some new additions to APS in terms of coolers.
From left to right we now have an L shape, 4 way and a 5 way cooler.
https://preview.redd.it/lfi937e7u9t51.jpg?width=1920&format=pjpg&auto=webp&s=4ff99ceae914777137262754baa017300c2f4c1f
We now have some new wide wheel additions too for all you land vehicle lovers.
https://preview.redd.it/1ysi7u68u9t51.jpg?width=1920&format=pjpg&auto=webp&s=0760606aa3aebbde24a44fcb7319477453ee3b99
The next biggest change would be steam engines even though other changes will be implemented in this update. We are once again rehashing the whole system, which will be released in the following updates.
I had asked Weng a number of questions as to why the change was needed, why are the parts expensive, when and why would you use steam over fuel, and this is what he had to say:
Reason why steam changes are needed:
  • Steam was previously totally unbalanced and arbitrary. For example, 9 small boilers with 1 small piston was the optimal steam setup, which was more efficient and denser than almost all other engines; and turbine power generation only depended on its pressure, so compact turbines were always optimal.
  • It lacked many critical info in its UI.
  • It was hard to control the usage of steam

What's good with new steam:
  • A bit more of realism and complexity
  • Larger steam now generally have better efficiency and density than equivalent smaller steam
  • More useful info such as total power production, performance over time
  • Possibility to regulate steam usage with valves

Pros of steam compared to injector fuel:
  • Denser and more efficient
  • Even denser with turbines
  • Easier to fit into irregular space
  • Provides a buffer with flywheels or steam tanks
  • More efficient when used for propellers
  • Doesn't require fuel containers, uses material directly from any type of storage
  • Computationally less intensive
Cons of steam compared to fuel:

  • Still hard to regulate, so it's only useful when the power usage is constant or there's a buffer energy storage
  • Turbines waste energy when batteries are full
  • Crankshafts waste energy when reaching speed limit
  • More susceptible to damage (injector engines can often still run fine even when half of it is gone, steam can stop working when a single pipe is destroyed)
Why cost of parts is hilariously high: Steam engines have better efficiency and density (many players seem to forget that one) than injector engines. So a higher initial costs makes it less overpowered.
(In my opinion, the potential waste of energy is a major drawback of steam and justifies for its high potential power. But iirc Draba said that injector engines would be useless on designs that require a lot of power if steam doesn't have higher initial cost, which also makes sense.)
Problem with new steam that can't be fixed:
  • Many old designs are broken due to low power output
  • More complexity
Problems that can probably be fixed but I don't have a solution:
  • Inefficient steam engines are ridiculously bad (a bad steam engine is like 30 PPM and 50 PPV, while a good one is around 600 PPM and 110 PPV) (I tried to fix this and spent like 40 hours on that, but I only managed to make it easier to build a mediocre engine)
  • Cannot be simulated to calculate a stable power output, like fuel engines do (actually it's easy but would take a lot of time to do and I don't think it's necessary)

Another massive change is the detection rework which I also left a few questions for Ian AKA Blothorn to explain the system and how it works.
Why a change was warranted:
  • Different types of detection weren't well balanced--for instance, visual components had better accuracy than IR and vastly better range.
  • Detection autoadjust used an incorrect formula, so optimizing adjustment was both mechanical and tedious.
  • Trackers having much better detection ranges than search sensors meant that detection was very binary--if you could see something at all you could usually get a precise lock (barring ECM, which was only counterable by large numbers of components).
  • Needing both sensors and munitions warners made reactive missile defence difficult on small vehicles.
  • There were a number of other inconsistencies/imbalances, e.g. some visual/IR sensors working through water, steam engines producing no heat, etc.
Overview of the new system:
On the offensive side, each sensor type now has a role in which it is optimal, and large vehicles are best using a variety to cover their weaknesses. Visual probably remains the default for above-water detection--it remains impossible to reduce visual signature other than reducing size. IR is better against fast vehicles, as they have trouble avoiding high IR signatures from thrust and drag. Both visual and IR are weak in rangefinding (although coincidence rangefinders are adequate for most purposes); radar is correspondingly strong in range and weak in bearing, although it often offers better detection chances against vehicles that don't pay attention to radar stealth.
On the defensive side, there are two approaches. Most obvious is signature reduction--while it is deliberately difficult to avoid detection entirely, reducing signature reduces detection chances and thus degrades opposing accuracy. At short ranges, however, this doesn't work well--detection chances are likely high regardless, and low errors at short range mean even sparse detections can give a good fix. Smoke and chaff can be useful here: they increase detection chance while adding a distance-independent error to opponent's visual and radar sensors, respectively.
ECM, buoys, and radar guidance have also been reworked. Buoys are more powerful, becoming more accurate as they get closer to the target. While their base error is high, at long ranges a buoy at close range can beat the accuracy of any onboard sensor. If you worry about opponents’ buoys, ECM can now intermittently jam them--except if they are connected to their parent vehicle by a harpoon cable, in which case they don't need the vulnerable wireless connection.
Most blueprints should need no modifications under the new system, although a few may want a few more or less GPP cards. The one exception is water interactions--IR cameras, laser rangefinders, and retroreflection sensors can no longer work through water, so submarines that used them underwater or vehicles that used them to detect submarines will need to replace them (likely with buoys). Vehicles that predominantly used visual detection should also consider adding a greater variety of sensors--in particular, visual camera trackers tied to AA mainframes should likely be replaced with IR cameras. Also, radars and cameras can take over missile and projectile detection (radar is required for projectile detection), so munitions warners can be removed/replaced with additional sensors.
Last but not least a sweet little addition to our build menu prefabs.
https://preview.redd.it/iqw1ymabu9t51.png?width=1920&format=png&auto=webp&s=aa1e3cdba6e1d62e07aef83caf0acad2a39249ed
Please do make sure you go through the changelog as a hell of a lot has changed!
submitted by BaconsTV to FromTheDepths [link] [comments]

Type me please

I was typed on this sub some time ago but my answers were too vague and not that accurate I think. I’m doubting my type again and I need some new insight.
– Describe yourself in as much elaborate detail as possible (that still renders you anonymous, or to a level of acceptable comfort)
18 yo high school student just trying to survive IB. My gender is a questionable thing. I consider myself non binary because I’ve always felt extremely uncomfortable with talking about my gender and I wanted to obey all of the expectations and gender roles.
I hate all of the labels and sht. I feel like I’m an individual being that doesn’t fit anywhere but at the same time I feel like a part of humanity and I can connect to literally any human being. Doesn’t matter of nationality/age/gendesome other sht. I sympathize with everyone and I kinda feel like I belong to them. If I had to move to foreign country that I don’t know anything about, right now, I think I’d quickly adapt to the culture. I feel like everything and nothing at the same time.
I am diagnosed with severe social anxiety and I display some characteristics of avoidant personality disorder. It basically makes me unable to figure out my type since I don’t know what is true about my personality and what is a defense mechanism anymore.
I need some insight from other people because I’m so confused about my own self. I don’t really understand the concept of personality traits at all. I feel like a chameleon and I have no consistent personality.
– Why are you interested in knowing your type?
At first I was just curious because I’m really into psychology and I found the idea of cognitive functions interesting. But now I’m just mad at myself that I can’t decide on my type because I relate to few types but at the same type I relate to none of them. I just want to be certain. I have this issue that I need to be sure about my every decision and I hate that whenever I finally decide that “this is my real type, it feels right” then suddenly a few days later I find out that it can’t be my real type because the way that type is supposed to think doesn’t really describe how I think very well.
– Do you go to work and/or you in school? If so, what field/occupation/subjects?
I go to school. I changed my school a year ago. My first school wasn’t that bad, the teachers weren’t the worst, my classmates didn’t bully me for being quiet and I had not so bad grades. But deep down I hated that school. There were so many people that I felt overwhelmed and I had to close myself in the restroom every break. I just couldn’t handle this many people. And this school had such a depressing vibe for some reason. After one of my classmates almost commited a suicide it had become even worse.
I accidentally found another school that was way smaller (less people) and since it was IB it could mean I’d have better opportunities for universities abroad. And I could choose every subject. I didn’t think twice, I changed my school immediately. It didn’t matter for me that the exams would be much harder and there would be overall more work. And that new classmates might bully me or something. I mean, I was scared at first but I had to try no matter what. Now I think it was actually a great idea. I love this school even though I sometimes struggle with this much work.
My subjects are my native language, english, german, biology, psychology and maths. I chose them because I’m good at them. Except for math, it was obligatory.
– Describe your upbringing. Did it have any kind of religious or structured influence? How did you respond to it?
It was pretty chill I guess. My parents have always supported all of my weird interests that I wanted to try and some of my dumb decisions even if they disagreed with them. Although most people would say that I should be grateful to my parents that they were always generous to me with their affection and money, at the same time they never understood me. I’ve always been a very creative and imaginative child. I’ve always been daydreaming and I used to write stories a lot. My parents thought it was some sign of schizophrenia or something (it wasn’t) and told me to stop daydreaming and focus on school and grades. I remember whenever I tried to share some of my weird ideas with them, they were always telling me that it’s pointless and I have to be more down to earth. I was also very curious as a kid and I could sometimes research some really bizarre stuff because I found it interesting. I remember my parents once found my searching history and literally yelled at me for searching some useless knowledge. I’d understand their reaction if I was searching for p0rn or something like that but I was looking for some psychology stuff lol. I started to become very secretive at this point and now I always have to be in incognito mode and I have to clear my history frequently or I’ll become anxious that somebody is judging me. And I remember when I once told them about my anxiety they literally told me that it’s not a problem and I’m perfectly fine and I should stop thinking about such pointless stuff.
Religion wasn’t a very big issue for me. My parents are christian but they never tried to force anything on me. They tried to make me religious when I was a child but eventually let me choose whether I want to believe in that or not. At first I considered myself christian even though I didn’t know what it was even about. I was told since childhood that it is the truth so I didn’t question it at that time. But I eventually started questioning my faith. I didn’t like going to the church, the prayers and all. I didn’t really agree with some of the principles of that religion. I began to ask myself whether I really believe in god or do I “believe” because I’m scared of punishment. When I grew up, I started doing some research on the Bible and I realised that it doesn’t make any sense. I mean, it depends how you interpret it, for me it didn’t make any sense. Also, in my native country there’s something like religious education in school and it’s basically forcing christianity into kids. I hate this. I rember a priest that was „teaching” my class in middle school and once he could say that god loves and accepts everyone but then he could say something like gay bad, trans bad. Like the fck is this?!
– Do you need logical consistency in your life?
I have no idea what that inherently means but I’ll try to answer anyway.
I like to think that everything is connected and I can start overthinking things that don’t make sense to me, to find some explanations. I need explanations for everything. I used to be really anxious about what happens after death because that’s something I can’t explain. I mean, I can try but it wouldn’t be 100% accurate because I can’t check that unless I’d die. If I ever decided to kill myself, the reason would be probably that I just wanted to check what will happen to me. I created my own theory on what happens after death that I try to believe is true so I won’t have to kill myself. I somehow tried to base it on science but it turned out to be some irrational crap. But for me it makes the most sense so I assume it’s accurate since it can’t be proven right or wrong. It just depends what you believe in. I know my theory is not perfect and I only pretend I believe in it but I really don’t want to have to kill myself so I need to approve any explanation, doesn’t matter how irrational it sounds.
– How curious are you? Do you have more ideas then you can execute? What are your curiosities about? What are your ideas about?
I think I’m very curious. I want to know everything. Like literally everything. Possessing all of the knowledge possible and understanding the whole world and how it works had been my dream since I remember. Sometimes I can get into some bizarre interests that are completely useless for me but I still find them interesting, like marine biology.
Anyway, I have too many ideas and usually, I end up with nothing. My ideas can be about everything and anything but usually creative stuff like ideas for songs or novels.
– If money was not an issue, what careejob would you have?
I wouldn’t even go to work lmao. I’d just procrastinate all day.
At the end of the day I’d probably have to go to work because I’d be scared that I’d lose all the money and I wouldn’t know what to do with myself anymore and I don’t want to parasite on anybody so yeah, I’d have to go to work someday. But the thing is, I have no idea what job I’d like to have.
– Are you a free spirit or do you play by the rules? If so, why?
This is quite hard for me to answer. I have a weird relationship with the rules. Of course I don’t like being limited or told exactly what to do, I can be a little rebel sometimes. But at the same time I need some guidance. When I have no direction, my mind goes blank because I either have no idea what to do or too many ideas. When I’m doing some work for other people, I always have to ask about every little detail so they’ll be satisfied with my work. I have to do that because if I’m given too much freedom I tend to think backwards and do the literal opposite because I could understand the assignment differently or something like that. I don’t want others to be disappointed with my work.
I always think differently than it’s expected from me lol. I remember once there was a test at school about some poem and there was a task to interpret the last sentence or something. I thought it was about time loops so I wrote about it but when we were checking the test, the teacher said it was about death. I got half of the points for that task because my arguments were good but my interpretation wasn’t the same as the teacher’s and it was a bit out of the blue. Like my teacher probably didn’t even know where the hell did I get that from.
– If I asked you to take a shot with a football how would that make you feel? Would you be able to do it well? Would you enjoy it?
I’d die internally because it’d remind me of my trauma associated with team sports. I used to be bullied in primary school because I wasn’t good at sports. I could never follow the ball and the general action that was taking place because that sht was too fast for me. And I used to have anemia so I literally had no strength or energy to do anything. I’m still not very athletic so I’d probably do terribly. But I think I could enjoy it if it was just for fun and I wouldn’t be ridiculed for any mistake.
– If I asked you to write me an essay, would you enjoy it? What would it be about? How would it make you feel?
I love writing essays in english but I hate writing in my native language (it’s more complicated than english and even native speakers can sometimes make some really stupid and basic mistakes) so as long as it is in english I’d enjoy it. I have no idea what I’d write about. If I was given a topic I could write about literally anything but if I had to choose a topic myself I’d be completely clueless. I’d probably search for some ideas on the internet and then choose whatever seems the easiest to write because I don’t want to spend 7492810847 hours on that essay.
– Is it okay to crack a few eggs? If it makes an omelette? Do the ends justify the means?
I guess so. Do anything you want, just don’t hurt anybody else.
– Do you put things back in their proper place?
I never do that and it’s going to make me insane someday. I can sometimes put my phone somewhere and after 5 minutes I can completely forget where the hell I put it and then search for it for hours. I lose my stuff at home all the time because I put my sht wherever I feel like. I wish I wasn't this messy because it can be annoying but I can’t stand order either. I get inspiration from chaos and whenever I’m drawing I HAVE to make my desk a bit messy because when it’s empty and clean it feels as if my mind was empty.
– How do you behave around strangers, acquaintances and friends?
I have social anxiety so I act very awkwardly around strangers and people I don’t know that well like for example classmates. I’m very shy. I stutter a lot, I say stupid things unintentionally, I tend to zone out a lot. I’m also very quiet and I never talk unless I’m being asked directly. Even if asked directly, I can sometimes still keep quiet.
I can become overwhelmed a lot when I’m around other people and I sometimes have panic attacks or I can start crying for no reason.
I can’t do small talk, it’s pointless for me and it seems so fake. But if I ever approached somebody for the first time and asked them what is the meaning of life or something like that, they’d think I’m insane, so I don’t really know how to start a conversation. And I really hate questions like „how are you?". What does it even mean, like wtf. My social skills are so terrible, I wish I was born with some instruction on how to act in any social situation. Whenever I have to talk to a teacher or somebody else in a formal setting, I always have to ask my mom how do I say what I want to say in a way that will be appropriate. This sht’s exhausting.
I have no friends but my family is like my friends so I can say how I act around them. I think I’m the most “real” around them because I’m not scared they’ll judge me. I’m a completely different person when I’m comfortable. I can be a clown sometimes, I say a lot of dumb stuff intentionally because I don’t feel embarassed when I’m around my family. My family has so many inside jokes, most of them made by me lol. I can be very loud and talkative sometimes or even argumentative and I’ve heard so many times from my parents “if you only were this outspoken at school like you are at home”. If any of my classmates saw me like that they’d say it’s an impostor because there’s no way I could act like that lmao.
I also got more comfortable with my distant family and I’m not that shy anymore when I’m around them. I can confront my uncles whenever they’ll try to playfully bully me (I really hate when they do that) and I feel so good about that. I wouldn’t be able to do anything like that a year ago and I’m glad I’m getting more confident.
– Do you have exquisite tastes that you would expend effort or money for?
I buy apple stuff because it’s easier for me to use. I once had an android phone and it was a pain to use.
– How do you act when others request your help to do something (anything)? If you would decide to help them, why would you do so?
I think I’d help no matter how I’d feel about it. I lack assertiveness because of my social anxiety. With people I’m comfortable with, I think I’d still help no matter what. I’d just feel terrible as a person if I wouldn’t help.
– How long do you take to make an important decision? How would you go about it? And do you change your mind once you've made it?
I’m hella indecisive. I have to ask other people for some guidance or I’ll be lost. I literally cannot decide for myself. I also sometimes seem like I have no opinion on anything but I just see pros and cons in everything and I can’t decide on the best option. Everything is shades of gray and whatever I choose should be personal preference but I always look for the objectively best solution that will be approved by my inner critic and also other people. It’s exhausting because I can’t even choose a meal in a restaurant. I treat it like some very important decision while it’s so mundane. When it comes to food my final choice would probably be something I haven't tried yet that sounds good or whatever with shrimp. I’m always in a mood for some shrimp lol. I sometimes can choose something familiar but only when I really don’t know what to choose. After making my final decision, I always wonder what if another one would be better and I never feel certain about my decisions. I’m scared of making decisions because I’m anxious that my decision was the wrong one. I wish I could try everything in my life.
– If I asked you to design a plan of action, would it be easier to work alone or in a group? Do you ask for others’ opinions? or stick to your own guns?
It would be better to work alone because I cannot work in a group since my social skills are lower than the bottom of Marianas trench. I can’t even work with people I’m comfortable with. I feel like they distract and overwhelm me and I prefer to get some ideas from others and then execute everything myself. When I get some ideas from other people, it immediately stimulates my mind and I can quickly come up with something. I sometimes have great ideas while trying to create something out of nothing but I have the best ideas when I find some ideas from the external world that inspire me and I start from there. After I finish my work, I have to show it to others. I need some validation from them because I want to know if my work is acceptable. With any schoolwork, I have to first show it to my sister before I can show it to my teacher so I know I didn’t do any crap and I wouldn’t be laughed at. I can’t show anything to my teachers without being certain it’s good.
– A weekend best spent looks like ...?
If I could do anything I wanted, I wish I could go to the mountains or sightseeing by myself or with my family. More realistic best weekend would be a weekend where I don’t have that much work for school and I can actually relax.
– My biggest fears are ...
There’s quite a lot of that. Most of my life has been full of the feelings of fear and anxiety.
I’m really scared of social interactions and public speeches, being judged or rejected. I hate the feeling of embarrassment, it makes me feel so uncomfortable. I’m also really scared of crowds. When there are too many people around, I start panicking. I once got a panic attack at a wedding and nobody could calm me down, I was so overwhelmed (especially that there were many photographers and they were surrounding me so I couldn’t really escape from them. I didn’t want them to take any pictures of me so I put a jacket on my face whenever I saw them near me. Most of the wedding I spent outside sitting on a bench because there weren’t that many people there and there weren’t any photographers around).
I’m really scared of the future because I don’t know what to do with myself and I’m probably gonna end up lonely, depressed and addicted to some crap.
What I really hate is pressure and feeling controlled or trapped. Especially at school because I’m forced to do things that make me uncomfortable, like performing in front of people. And I feel like school has always been limiting my creativity and individuality.
I’m also scared of bugs. I hate them so much. I can start panicking whenever I hear a fcking fly.
– How much do you express yourself and what mediums do you do that through? Art? Writing? Talking?
Art is my thing. But I’m more into analyzing and critiquing art rather than creating. When I do create, I express my ideas more than my feelings.
I draw graphic novels. The funny thing is that I don’t even “like” most of my works. I mean, if somebody else created these stories and I was a reader, I’d rate them something around 5 on enjoyment. Most of my stories are based on some concepts I found interesting or I create stories to see how the public would react to it or just to check how I’ll perform at a specific genre rather than something that is personal to me.
I sometimes write songs and they also aren’t that personal to me. Some are, but most of my lyrics are about things anyone could relate to. And I like to create some really weird analogies. I wrote 8379287593 songs about comparing some random stuff to toxic relationships. Give me any random thing and I could transform it into a song about toxic relationships. I’ve never been in a toxic relationship tho. My sister also writes songs but they are so personal that only she knows what they are about. I hate that to be completely honest. I prefer lyrics that make sense and are easy to interpret given the context.
I think I create for the audience instead of myself.
I express my feelings through writing. I sometimes just write down my thoughts to let go of them and it’s very therapeutic for me. I sometimes post some of my thoughts on my twitter. I really need an audience lol.
– Generally where do you lean politically? Is it every man for himself? Should people be pragmatic? Does the government need to step in and help people?
I’ve tried to get into politics more because I might seem ignorant since I have no political views. I see pros and cons in everything and it’s really hard for me to decide what is the best. I somewhat agree with every side. I could say I’m libertarian because I value freedom a lot, but I don’t really know.
– Does it matter if something is factually correct for you to believe in it?
Depends. I won’t believe in something like flat earth but not everything can be scientifically proven. I can be a bit sceptical since science is constantly improving and literally anything can be proven wrong at any time.
– Are emotions/feelings an important aspect of your life? If so, then why?
This is a very tough question for me. I have no idea if emotions are just chemicals in the brain and the way I react to things or if it’s something deeper. I want to think it’s something deeper because it’s more optimistic and it could mean that feelings are something individual for everyone (and my therapist said so lol). I like to think that there is something in the world that is only for me. I got very obsessed with my individuality because I have a twin and we’ve been constantly compared to each other. People used to treat us as if we were one person. Now I have to be “different” in everything, so people will finally address me by my name and not per “twin” all the time.
I like to see myself as an individual being and I also see other people like that. I just love the idea that everyone is different but at the same time we’re all connected.
Are emotions actually important in my life? I guess so. I mean, I don’t really know, but my therapist told me that understanding my emotions is the key to curing my mental health issues and existential crisis. The thing is that I try to avoid my feelings as much as I can because when I’m left alone with my feelings I get depressed and start crying. Every night when I’m going to sleep, I start overthinking a lot since it’s the only thing I can do, so I started to distract myself from thinking by creating some fictional stories in my head.
A bit on my feelings because it’s really confusing to me:
I have trouble with recognizing my feelings and I sometimes have trouble being subjective. I can even be a people pleaser. I remember I had to write an essay for my english class about my thoughts on some quote and I first wrote what I think the author meant, then why it’s accurate and why it’s not and then in conclusion I wrote in which aspects I agree with the author and in which I disagree. Then my sister told me I did it wrong because I was supposed to write what the quote meant to me personally. But that was what it meant to me lol.
Whenever my therapist asks me about my feelings I always answer “I don’t know”. Because I just genuinely don’t know. Even when she once told me I can explain my emotions metaphorically, I still couldn’t. For some time I was thinking that I don’t feel emotions at all but my therapist told me I just feel differently than how I think I „should” feel. I have this weird inner view of how emotions “should” be and I’m quite anxious that it doesn’t actually work like that.
I can sometimes get really dramatic with my external emotions (shouting, crying, etc) but I never actually feel like that. I think that how I react is so different from how I actually feel. I never realise that I’m acting like I was angry in that exact moment but rather when people tell me that I was acting dramatic or something and after I’ll calm down I’m like “oh, I probably seemed angry at that time”.
– How attached are you to reality?
I don’t think I’m very attached to reality. I feel like I’m living in a simulation sometimes. The experience of life is so surreal, I can’t even explain it.
I daydream a lot. Maybe even too much. I can sometimes lay in my bed for hours doing nothing and just thinking and listening to music. I even wondered if I don’t have maladaptive daydreaming at some point. I sometimes get caught up in my thoughts and when somebody distracts me I can get frustrated. When I’m with other people I can sometimes zone out completely because, for example, I saw a plane and I started wondering how the hell does it exactly work that it can float in the air, completely ignoring the people I’m with.
– How thick skinned are you? Are you sensitive to criticism?
I am very sensitive actually. But I think I got more thick skinned over time. I used to be such a sensitive child that literally anything could make me cry. Not sure if I really got more confident or if it’s the medicine I’m taking for my anxiety tho.
I’m also a huge empath. Whenever I read a book or watch a film, I literally “transform” into the main characters and feel everything they feel. I remember I tried to read The Sorrows of Young Werther for school and I couldn’t finish it, I wasn’t able to handle this much negative feelings. I just read the summaries and hoped I’ll pass the test. I also started reading a manga called Chi no wadachi recently and it killed me.
I’m fine with constructive criticism. I like criticism if it’s intended to help me improve and I hate it when somebody does that just to sht on me. I can get aggressive sometimes when somebody criticizes me all the time, even when I improve my work and they still can see something bad about it. I really hate it because it doesn’t help me at all.
If I get insulted, I try not to care or not show that I care, but I actually deeply care at first. I usually forget about it and move on quickly but it’s still somewhat hurtful I guess.
submitted by edgenist to WhatsmyMBTI [link] [comments]

For Northern Irish Trans Folks. Gender Identity Pathway Review meeting summary

Hi, Im Morrigan a non binary trans woman living in belfast, I was invited to a pathway review meeting in a personal capacity to help give my feedback and concerns, on the belfast gic brackenburn and how to get it up and running again whenever it does. I can say they are working on it but I have no timeframe. But i think other service users need to hear of my experiences in this meeting. I have never experienced a sheer lack of knowledge, and lack of concern for the service users for this service from the people meant to fix it.
Of the 5 or 6 trans people brought to this meeting, Only 3 were going to be active users of the serviceThe clinicians at the under 18 service and the adult gic were more concerned with screening for autism to the extent they talked over the fact that someone brought up the fact, that they had been personally excluded from gender care due to a possible autism diagnosis.
We experienced an ungodly amount of ableism from the nhs in regards to treatment of autistic trans folks, with one person at the meeting wanting to signpost to autism "treatment" services. ME and one other found this disgusting and corrected them saying its support services, folks need and it should be an opt in and not mandatory for treatment. We were talked over, by a lady from the KOI under 18 service saying that 17.2% of her patients have autism. I pointed out it is likely higher due to masking and lying as the screening assessments have just trained trans people to be good liars as well as any formal psych assessment would teach that.
When i brought up the lack of provisions for those self medicating or finding it difficult to get gp's to agree to shared care with private clinics, I was told thats a "complex situation". I brought up the fact it is a ticking time bomb as eventually someone will harm themselves due to a lack of harm prevention provisions given by gp's for those self medicating. And was ignored.
Me and a few other of the folks at this meeting, brought up lack of gp training with us relaying many experiences of psychosexual questioning, and barriers to care operating from gps. This seemed to be the only thing they actively listened to us on, that gps are failing to refer patients, and self referral should be an option.
We noticed that of the groups in the voluntary sector none of the transgenderNI groups were invited. Instead a group i had never heard of focus was invited. Later on after detailing my experiences I learnt that focus is a support group that requires proof of transition and signing an NDA to join and someone i talked to pointed out that they dont allow non binary people access so a Transmed group instead of folks from the BTRC which only by chance one of the people invited was a former volunteer and myself as a service user of the centre.
Im just relaying my experiences but folks dont get your hopes up for informed consent in Belfast anytime soon. To me, the few trans folks barring me and two others. Were brought in to be yes men to plans already made and criticisms were largely ignored especially the ableism shown to neurodiverse folks. to quote me and my friend at this meeting. We thought it was a shitshow and that any reforms to the belfast gic when it gets up and running will be largely inconsequential. They are still keen to keep the services within mental health instead of a move to the two options that were presented endocrinology and sexual health. The move to sexual health was to allow GUM clinics to handle simple cases, which basically what we gathered from the meeting meant non autistic folks or people without diagnosis of other psychological or mental health conditions but was shut down due to the need to screen for autism, after i had pointed out my own aspergers diagnosis was irrelevant and any comorbidity is largely inconsequential if the patient can actively give informed consent and understand the pathways
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essay tipsssss from a perfect 24 scorer. Also if you have questions I will answer them. GOOD LUCK OCTOBER!!!!!

Hey lovelies, so I made a perfect score on the SAT essay, but I am an embarrassment at everything else, so this is just to say that an essay score doesn’t define you and is overall not as important as it could be. Also this is my own experience, I AM IN NO WAY A WRITING TEACHER, SO PLEASE DON’T COME AT ME IN THE COMMENTS.
My best advice: Write conspiracy theories for every essay
If I had to describe the tone of my writing it would be an academic high on crack.
so buckle up y’all. Also my internationals, I feel ya bc I am not native either- woohoo join the train
Now let’s get down to the actual essay.
My best advice is memorize an essay format because if you are like me and you cry in every section ( I am not even joking) the essay can be a trainwreck of panic, and no one needs that toxic energy in their last section.
So here’s my format:
This is my introduction:
While the narrative of the 21st century human experience has resulted in [problem], the underlying causes are most often unexamined. In the article, “”, the author carefully deals with the underlying reasons for [problem] and overtly advocates for [], and hopes in the end to [ purpose]. While doing so he employs several literary elements, including….
Note about purpose: this is given in the prompt, so all you have to do is reformat it.
Now for the devices and body paragraphs
GO IN CHRONOLOGICAL ORDER!!!!!!
Pick out three devices:
Now here is the format for these devices:
  1. Word choice
    1. evokes emotions or images
    2. characterizes the subject in a particular way
    3. sets the
    4. cultivate émotions
    5. associate positive or negative connotations with something
  2. Statistics/ Data
    1. indicate a problem
      1. point us towards a bigger issue
    2. make something harder to argue because numbers are perceived as facts, not opinions
    3. to effectively ground the authors argument
    4. to surprise readers
    5. to put a quantity in relation to another and effectively contrast
  3. Appeal to Authority
    1. raise credibility by showing that the author is not the only one who believes in this idea
    2. increase trust by showing that the argument is indeed well researched
    3. gain the same acceptance or authority that the authority figure derives from the reader
    4. establish a precedent that pushes people to act in the way that author wants them to behave
  4. Acknowledges the other side/making concessions
    1. address counterarguments, doubts, or fears that the reader may have
    2. establish common ground
    3. pave the way for new arguments to be made
  5. Analogies/ Comparaisons
    1. allow the reader to understand more complex concepts by connecting them to ones that are much simpler
    2. associate new ideas with prior one
    3. which leads the reader into eventual agreement as if he agreed with a prior idea, it is likely he will agree with the new one
  6. Juxtaposition
    1. significant distinction is highlighted
    2. one option seems better than another
    3. create a binary mentality
  7. challenging assumptions
    1. enables this argument to proceed from a clean slate
    2. dismisses any preconceived ideas or biases that may run counter to his or her argument
  8. Anecdotes
    1. form an emotional bond with the reader through establishing a common ground with the reader
  9. Rhetorical questions
    1. gets the reader to imagine a certain scenario
    2. prods the reader into answering a certain way
    3. lays out common ground or assumptions that the author can build upon
    4. describe certain outcomes that may benefit his argument
  10. Appeal to identity
  11. one that takes advantage of the common values and beliefs of a group
  12. human behaviors that seek belonging
  13. gravitate towards an idea that creates a sense of belonging
  14. Strong directives
  15. using we portrays the reader as being on the same side as the reader
  16. stand in unison
  17. and appeals to sense of belonging
Note about this format:
Devices- I WILL TALK ABT IT MORE LATER BUT IT IS GOOD IF THEY MESH IN TOGETHER YOUR ESSAY WILL SEEM ALMOST MORE PUT TOGETHER
ALSO YOU DON’T ALWAYS WANT TO STICK THE FORMAT FOR THE DEVICES- USE THEM TO GROW AN ARGUMENT AND REALLY BUILD A FOUNDATION
THE FORMAT IS NOT A BE- ALL OR END ALL-YOU CAN CHANGE IT UP
Also strong topic sentences:
Author engages the reader’s interest very early in the article. His use of [element] builds a steady foundation from which he launches his discourse
Without the author’s use of persuasive elements , the article would lose….
How to build strong commentary + get yourself the last points
-This is how I build my sentences- they need to be strong and make sense obviously
explain
The implication is that…
The suggestion is that…
… serves to…
The inclusion of… helps…
… elicits …
… grounds her argument in reality so that even skeptical readers won't be
able to dismiss it
… marks the extent of the problem.
By appealing to our sense of…, the author…
The author exploits the fact that… to…
Given that…, …
… proves to the reader that…
By showing that there is…, the author…
… contributes greatly to the argument's persuasive power by…
Analysis point:
So basically the analysis points are legit Satan’s lap dog because they are hard to get
Here are some tips to guarantee you some amazing success
Example of the thing mentioned above:
This is especially resonant as the author writes this in a climate filled with threats of global warming; the author targets the general American public when he writes this as the administration in power is responsible for opting out of Paris Climate Treaty, and the devastating consequences of such an act along with the rise of natural disasters can only make his argument more persuasive
2nd tip: point out flaws in the author’s argument- this is a hidden trick that always works
I am not talking trash and set on fire the author and the College Board, but you should mention some things regarding a weaker arg and how it could have been stronger so that means LIGHT ACADEMIC TRASHING
Here is an example :
Ok on one of the essays that I took. The guy used a statistic to prove that trees did help reduce temperature. However he used a study from his organization that projected increasing temperature Here is what I said about it: The author through his use of statistics aims to establish a logical choice in the reader's mind. By using numbers from the World Health Organization, he tries to usurp the authority that this organization derives and prove that his choice is not only supported by facts but by experts as well. The use of numbers is particularly significant as well since numbers are often regarded as facts, and thus for someone to argue back, a reader would have to either indict or bring up new evidence. While this use of statistics is effective in this context, the author's use of statistics fails due to a misplaced correlation. In this case, a man's passion reveals his weakness, as he uses a study from his own organization to prove his point, which leads us to a possible reevaluation of the purpose not as something to promote the general well being of urban areas, but as a case of self interest and promotion for his organization. Moreover, the basis of his argument rests upon the fact that temperatures decrease based upon the increase of trees. However throughout the argument, the author fails to establish the correlation of this foundation, and by such weakens his argument. He does, in fact, bring up his study, but his study is only in regards to an estimation of the benefice of planting trees and is based on a misplaced correlation where he assumes correlation.
3rd tip: use transitions and nice words
4th tip: Do you have a weaker paragraph?
5th tip: Always read after each paragraph- like reread- prevents mistakes, and if you need to add more you can!
6th tip: paragraph order
-Topic sentence
-Quote- embed it properly
-Explain effect of the quote on the audience
-Add your spices>>> SPACE or ACADEMIC TRASHING
-Finish with a nice little purpose that explains how it strengthens the argument
7th tip: Try to find a second device
How to practice:
Most people don’t have the time or energy to write an essay everyday
Also this didn’t belong anywhere but here it is:
don't skip a line, indent>>>

some people asked for vocab so here it is
https://blog.collegevine.com/the-50-best-vocab-words-for-the-act-essay/-- strong words
https://blog.prepscholar.com/sat-vocabulary-words- good words to know
https://www.oxford-royale.com/articles/words-phrases-good-essays/#aId=b0308864-2c59-4e78-ae70-668f431523a5 for transitions
https://www.oakland.edu/Assets/upload/docs/OUWC/Presentations&Workshops/Rhetorically-Accurate-Verbs.pdf>>>>> this is for your purpose mostly
https://www.sydney.edu.au/content/dam/students/documents/learning-resources/learning-centre/writing/vocabulary-for-essays.pdf >> this is all you really need honestly
Keep in mind, it is very hard to write and use fancy words in a timed write situation. Please learn the context or at least connotation of these words or else they sound forced. You also don't need fancy word for a good score if you use the sentence pattern you will be fine. The readers are looking for deep analysis if your analysis is trash even if you covered it up with fancy words, it is still trash and you won't earn points. Analysis first and vocab last.
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Completing the 2020 Bingo Challenge: Short Story Edition

Completing the 2020 Bingo Challenge: Short Story Edition
Completing the 2020 Bingo Challenge: Short Story Edition
One of the rules of the Fantasy Bingo Reading Challenge is that you can read an anthology or collection for any of the squares. I’ve always been a fan of short fiction, so I’ve occasionally used this rule to complete my Bingo Card (I used three collections outside of the Five Short Stories square last year, for example). When planning my card for the 2020 Bingo, I noticed that several of the squares fit quite well for some of the collections and anthologies I had (a Star Trek anthology for Exploration, books with colors or numbers in their names, etc.). “What if…” I wondered, “…I can do it for every square?”
Thus, my project is born: Complete my Bingo card using only books of short stories, following all the other rules of Bingo. I did not repeat a single author from one square to another, and I even made sure not to repeat editors, either.
Look on my Works, ye Mighty, and despair!
A brief aside before we start, some terms I use that some may not be familiar to some:
  • Anthology: A book of short stories by multiple authors, usually assembled by an editor whose name is attached to the book (i.e. The Book of Dragons edited by Jonathan Strahan)
  • Collection: A book of short stories by a single author (i.e. Kabu Kabu by Nnedi Okorafor)
  • Short Story Cycle: A book of short stories that has its own narrative (i.e. Moral Disorder by Margaret Atwood). Some similarities with “interlinked collection,” “mosaic novel,” and “fix-up novel” (The Martian Chronicles by Ray Bradbury being a famous example of the latter).
  • Reprint and Original: Many anthologies/collections reprint stories published previously (reprint) vs. originally written for the book in question (original). Some collections will mix it up (such as a reprint collection with one original story to encourage readers who have read the others to pick up the new book).
Why? What did I hope to accomplish by doing this particular short fiction challenge? Some of my friends will complain about the Five Short Stories square (especially the hard mode requirement to read a book), and I wanted to spite them a little bit and also demonstrate that there’s a lot of different and interesting books out there to read in that format!
Planning: The hardest thing about this was the original planning, as several books I thought would be an easy match for the square didn’t work because another anthology I planned to use already included that author, so I had to dig a bit deeper to find something that didn’t repeat any authors. Also, in past Bingo Challenges, my cards are usually quite fluid as I shift books around throughout the year. Because of all the authors I was juggling, I couldn’t easily do that (though it was vastly easier to do with collections instead of anthologies, for obvious reasons).
Numbers: For this card, I officially read 32 books for the 25 squares: One of those books was quite short, so I read an additional three to meet the length requirement. For the original Five Short Stories square, I decided to be obnoxious and read five collections. These 32 books included 1 short novel (included in one of the collections), 8 novellas, 106 novelettes, 498 short stories, and 3 poems for a total of at least 2,739,975 words (the rough equivalent of reading the first nine novels of The Wheel of Time). I read 189 different authors. In addition to the 32 books above, I read 15 “pre-Bingo” books—books I felt I needed to read to be able to read the anthology or collection I actually used for my Bingo Card. Fifteen of the 32 books were ones I already owned. Nine books I checked out from the library. Five books I bought specific for Bingo, and three books were free (gifts or free online).
1. Novel Translated from Its Original Language:
There Once Lived a Woman Who Tried to Kill Her Neighbor's Baby: Scary Fairy Tales by Ludmilla Petrushevskaya (reprint collection)
  • Reason: I couldn’t read my first choice so I looked through my TBR list to find another SF/F collection I thought would be a translation. It also won the 2010 World Fantasy Award for Best Collection.
  • Favorite Story: “My Love” as I really liked how the characters grew apart and then back together again.
  • Recommended: Only if you like short depressing literary fiction that mostly hinge on dreams and ghosts.
  • Hard Mode: Yes, Pretrushevskaya is a woman.
  • Other Options: I really wanted to read Xia Jia’s A Summer Beyond Your Reach, but she had a story in another anthology I read. I also considered one of Ken Liu’s Chinese SF/F anthologies (Invisible Planets or Broken Stars). I read Jurado & Lara’s Spanish Women of Wonder last year. Etgar Keret’s Fly Already, Kenji Miyazawa’s Once and Forever, or Yoko Ogawa’s Revenge also looked promising.
2. Setting Featuring Snow, Ice, or Cold:
Frozen Fairy Tales edited by Kate Wolford (original anthology)
  • Reason: I literally searched snow and anthology and this was one of the early options.
  • Favorite Story: tie between “The Stolen Heart” by Christina Ruth Johnson and “Death in Winter” by Lissa Sloan; the first just felt great, and the second has this haunting feel I loved.
  • Recommended: Yes; a good selection of fairy tale-inspired stories. Read during the summer, though, it felt really cold.
  • Hard Mode: Yes, every story is in a snowy or cold setting.
  • Other Options: I’m kind of mad that I didn’t come across Snowpocalypse: Tales of the End of the World (edited by Clint Collins and Scott Woodward) until after I read my original choice. I like silly titles.
3. Optimistic Spec Fic:
Ingathering: The Complete People Stories by Zenna Henderson (short story cycle, 1 original to this book)
  • Reason: I’ve had a copy of this book for a couple years, and I needed an excuse to read it. It’s actually an omnibus of Henderson’s two People collections plus some previously uncollected stories. I’ve read the first People collection (Pilgrimage) several times people).
  • Favorite Story: I’ll say “Ararat” here, but the first six stories (the original Pilgrimage collection) are amazingly wonderful and heartwarming.
  • Recommended: Yes, absolutely. Zenna Henderson deserves more attention.
  • Hard Mode: Yes. <3
  • Other Options: If Henderson’s book hadn’t worked out, I considered Heiroglyph (edited by Ed Finn & Kathryn Cramer) and Salena Ulibarri’s two Glass and Gardens anthologies (Solarpunk Summers and Solarpunk Winters), but that would’ve required juggling my card.
4. Novel Featuring Necromancy:
The Book of the Dead edited by Jared Shurin (original anthology)
  • Reason: I asked Jared Shurin (pornokitsch) if he knew of any anthologies with a necromantic theme, and he rattled off five or six options before remembering that he himself had edited an anthology about mummies. I don’t know how you forget something like that.
  • Favorite Story: tie between “Old Souls” by David Thomas Moore and “Three Memories of Death” by Will Hill (non-SF/F)
  • Recommended: Yes, but it’s out of print! Several of the stories were reprinted in Paula Guran’s The Mammoth Book of the Mummy, including “Three Memories of Death.”
  • Hard Mode: No, through several do have mummies as protagonists.
  • Other Options: I was considering Brian McNaughton’s The Throne of Bones since the description seemed rather death-magicky. At this point, the Paula Guran anthology above would probably be a good choice.
5. Ace/Aro Spec Fic:
Life Within Parole, Volume 1 by RoAnna Sylver (collection, mix of reprint and original)
  • Reason: A friend found this on Claudie Arseneault’s asexual recommendations website, which was good, but I felt I needed to read her novel Chameleon Moon first to understand the collection. I’m glad I did.
  • Favorite Story: Reluctantly “Phoenix Down” as it felt the most self-contained.
  • Recommended: Only if you loved Chameleon Moon, which I only recommend if you like a sample of the writing. It’s amazingly diverse in representation, but my frustrations with the novel related more towards its pacing and worldbuilding. Plus I don’t like superheroes.
  • Hard Mode: Yes, half the stories have an asexual or aromantic protagaonist.
  • Other Options: My original choice was Common Bonds: An Aromantic Speculative Anthology edited by Claudie Arseneault, C.T. Callahan, B.R. Sanders, and RoAnna Sylver, a Kickstarter-funded book. However, due to the pandemic, the publication was pushed back, and I didn't want to wait any longer. I also seriously considered Chuck Tingle’s Not Pounded in the Butt.
6. Novel Featuring a Ghost:
Ghost Stories of an Antiquary by M. R. James (collection, mix of reprint and original)
  • Reason: I just searched ghost anthology, and this was a top result. I have actually never heard of M. R. James before this year, but I gather he’s a huge influence since he’s written so many ghost stories.
  • Favorite Story: “The Mezzotint” as it was the one that creeped me out the most.
  • Recommended: Yes, but only if you realize that it’s got an older style to them (since this book came out in 1904), and that most of these stories won’t creep you out in the year 2020.
  • Hard Mode: No, the ghosts are either antagonists or obstacles.
  • Other Options: I actually don’t know, I stopped searching after I found the book. M. R. James does have 3 more collections of ghost stories, though (all of 4 of which have been gathered in Collected Ghost Stories by M. R. James).
7. Novel Featuring Exploration:
No Limits edited by Peter David (original anthology)
  • Reason: I read the first few Star Trek: New Frontier novels back in the late 1990s, but never finished it, so I got all the books for a personal readthrough. Star Trek is by definition perfect for the exploration square, so I read the books. However, I was reading them in publication order, so I had to read the first 14 books before I could get to the anthology!
  • Favorite Story: “Waiting for G’Doh, or, How I Learned to Stop Moving” is a rather funny story about the security officer Zak Kebron at the beginning of his career.
  • Recommended: Yes, but only if you’ve read at least the first six Star Trek: New Frontier novels (all the stories are set before the first book, but most of the characters aren’t really established until you’ve read the first four).
  • Hard Mode: Maybe, nearly all the stories feature exploration, but the plots are often about backstories for the main characters of the series.
  • Other Options: I considered James Alan Gardner’s Gravity Wells (his novel Expendable is a perfect exploration book, so I was hoping the collection would work). Past anthologies that would probably work is Federations edited by John Joseph Adams, Galactic Empires edited by Neil Clarke, and maybe Alastair Reynolds’s Deep Navigation or Galactic North.
8. Climate Fiction:
Everything Change: An Anthology of Climate Fiction edited by Manjana Milkoreit, Meredith Martinez, & Joey Eschrich (original anthology)
  • Reason: A friend recommended to me as this theme was getting difficult for me to find, as all my other options included stories by authors I had to read for other squares. This book was produced from a short story contest run by the Imagination and Climate Futures Initiative at Arizona State University and judged in part by Kim Stanley Robinson.
  • Favorite Story: “On Darwin Tides” by Shauna O’Meara, which follows a “sea gypsy” in Malaysia as she struggles in this new dystopian future.
  • Recommended: Only if the topic appeals to you—because it was a contest, the stories are mostly from amateur writers and the quality mostly shows. It’s free online, though, and there’s a second book, Everything Change II, which I’ve been told is better.
  • Hard Mode: No, most of them are apocalyptic or post-apocalypse.
  • Other Options: My original choice was Drowned Worlds edited by Jonathan Strahan, but there’s also Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams, and I imagine a lot of solarpunk-themed books could work for this, too.
9. Novel with a Color in the Title:
The King in Yellow by Robert W. Chambers (original collection)
  • Reason: I already had it (it’s available on Project Gutenberg)
  • Favorite Story: “In the Court of the Dragon” which felt like one of the creepier stories to me.
  • Recommended: Honestly, no. Only half the stories are SF/F, the other half are all stories about bohemian artists in Paris. This book is known for the stories involving “The King in Yellow” play, but they didn’t really work for me.
  • Hard Mode: Yes.
  • Other Options: I considered using Judith Tarr’s Nine White Horses, the anthology Blackguards, Jack Vance’s Wild Thyme, Green Magic, Walter Jon Williams’s The Green Leopard Plague and Other Stories, Black Feathers edited by Ellen Datlow, or How Long ‘til Black Future Month? by N. K. Jemisin.
10. Any Fantasy Book Club Book of the Month OR Fantasy Readalong Book:
Sooner or Later Everything Falls into the Sea by Sarah Pinsker (reprint collection, 1 original to this book)
  • Reason: The Goodreads Book of the Month club picked it for June this year. I did own or read all the other options that were available at the time.
  • Favorite Story: tie between “And Then There Were (N-One)” and “In Joy, Knowing the Abyss Behind”
  • Recommended: Yes! There’s only one story I would rate less than 4 stars in this book.
  • Hard Mode: Yes, I actually led the discussion for the book in June.
  • Other Options: We don’t read very many collections or anthologies for the Fantasy book clubs, so my only choices were Fritz Leiber’s Sword and Deviltry (Classics club, November 2017), Mahvesh Murad & Jared Shurin’s anthology The Djinn Falls in Love and Other Stories (RAB, May 2018), and we currently have Daniel M. Lavery’s The Merry Spinster for FIF (September 2020). There’s also the Dresden Files read-along which did two of Butcher’s collections, and the Uncanny Magazine Disabled People Destroy Science Fiction/Fantasy read-along (those would’ve been rereads for me, though).
11. Self-Published Novel:
In the Stars I'll Find You & Other Tales of Futures Fantastic by Bradley P. Beaulieu (mostly reprint collection)
  • Reason: I already owned this, it was basically the oldest self-published collection I had.
  • Favorite Story: tie between “Flashed Forward” and “No Viviremos Como Presos” – both dealing with a lot of emotions.
  • Recommended: Yes, the only other stories by Beaulieu I’ve read were 2 co-written novellas, and I felt this collection was better. I haven’t read his novels so I can’t compare.
  • Hard Mode: Yes, at the time of this post, it has 18 ratings on Goodreads.
  • Other Options: There are hundreds of options, but I could’ve read Lawrence M. Schoen’s recent collection The Rule of Three and Other Stories (his other collection, Buffalito Bundle, has stories featuring The Amazing Conroy and are lots of fun.)
12. Novel with Chapter Epigraphs:
Not the End of the World by Kate Atkinson (short story cycle)
  • Reason: This was another difficult square, as I knew a short story cycle had the best chance of having epigraphs before every story. I finally found this book by Kate Atkinson. (Ironically, I realized later that my Politics choice also had epigraphs.)
  • Favorite Story: “The Cat Lover,” I guess.
  • Recommended: No, unless you like literary magical realism where stories just kind of end.
  • Hard Mode: No, all of the epigraphs are quotes from Latin or Shakespeare.
  • Other Options: Apparently, Retief! by Keith Laumer would’ve worked from my options. It really is a difficult thing because in a collection some authors might have an epigraph for a story, but not all or most of them.
13. Novel Published in 2020:
Shadows & Tall Trees 8 edited by Michael Kelly (original anthology)
  • Reason: I picked this off Locus Magazine’s forthcoming books list and bought it.
  • Favorite Story: tie between “The Glassy, Burning Floor of Hell” by Brian Evenson and “Child of Shower and Gleam” by Rebecca Campbell – the first is creepy as hell, and the second is strange and lovely.
  • Recommended: Yes, if you’re comfortable with weird or darker fantasy stories.
  • Hard Mode: No, Michael Kelly has edited several anthologies before.
  • Other Options: I had planned to use The Hidden Girl and Other Stories by Ken Liu, but I needed Liu for another square. I also considered A Phoenix First Must Burn edited by Patrice Caldwell, and I had three anthologies from Joshua Palmatier I could’ve used (Apocalyptic, Galactic Stew, and My Battery is Low and It is Getting Dark) but I needed another Palmatier anthology for another square. Any of the various “Best Science Fiction or Fantasy of the Year” type anthologies that came out in 2020 would’ve been appropriate as well (Jonathan Strahan, Neil Clarke, Rich Horton, Paula Guran, Ellen Datlow, Bogi Takács, and Jared Shurin all edit “Year’s Best” or “Best of Year”-style anthologies).
14. Novel Set in a School or University:
Sideways Stories from Wayside School; Wayside School is Falling Down; Wayside School Gets a Little Stranger; and Wayside School Beneath the Cloud of Doom by Louis Sachar (short story cycles)
  • Reason: Strangely, one of the first books I thought of for this square. Plus, the most recent book had come out. I decided to read all four as each book is really short (only about 20,000 words per book). Only the first one or two was a reread.
  • Favorite Story: None, they’re all funny and good.
  • Recommended: Yes, absolutely. Maybe better for kids, but I smiled a lot while reading these.
  • Hard Mode: Yes.
  • Other Options: Witch High edited by Denise Little would’ve been good, but included a story by Esther M. Friesner whom I needed for another square. A Kickstarter-funded anthology, Schoolbooks & Sorcery edited by Michael M. Jones, would’ve worked, but it’s not out yet.
15. Book About Books:
Ex Libris: Stories of Librarians, Libraries, and Lore edited by Paula Guran (reprint anthology)
  • Reason: This was another difficult square because did you know that searching “book anthology” does not narrow things down at all?? I finally hit upon just searching “library anthology” which did the trick, but this one anthology predetermined at least 3 other squares because of its authors (I couldn’t use Ken Liu, Xia Jia, Amal El-Mohtar, and others because they were all in here).
  • Favorite Story: tie between “In the House of the Seven Librarians” by Ellen Klages and “Summer Reading” by Ken Liu. Klages’s story about “feral librarians raising a child” is just wonderful, and Liu’s is very, very sweet.
  • Recommended: Yes, absolutely. This also contains Scott Lynch’s excellent “In the Stacks” and I will never not say no to Kage Baker.
  • Hard Mode: No, libraries are an integral part of most of the stories.
  • Other Options: *gestures wildly* I don’t know!
16. A Book That Made You Laugh:
Explaining Cthulhu to Grandma and Other Stories by Alex Shvartsman (mostly reprint collection)
  • Reason: Alex Shvartsman edits an annual humorous SF/F anthology series called Unidentified Funny Objects (the 8th volume is out this fall), but even though I have them all, they all shared authors with other squares until I remember that I had two collections from Shvartsman, and this was one of them.
  • Favorite Story: “Things We Leave Behind” is a semiautobiographical story about books. Absolutely lovely.
  • Recommended: Yes, but I understand most won’t share his sense of humor. He also tends to write very short stories, so don’t read these for immersion.
  • Hard Mode: Yes.
  • Other Options: Books making you laugh is so subjective, so any author you like probably has something that could work (you only need one story to make you laugh after all). John Scalzi has a couple collections that could work, Connie Willis has a great sense of humor.
17. Five Short Stories:
  • Reason: To be obnoxious I decided to read five collections for this square (instead of just five short stories). I decided to read 5 that I already owned by women/non-binary people. I picked semi-randomly (Hand and McHugh), by older ones I owned (Wurts), and by a couple new ones I was excited about (Datt Sharma and Slatter).
Not for Use in Navigation: Thirteen Stories by Iona Datt Sharma (reprint collection)
  • Favorite Story: “Quarter Days” is a full third of this book, and it’s an interesting post-WWI setting with magic.
  • Recommended: Yes, they have an interesting outlook, and one of the stories has an Indian wedding in space.
Saffron and Brimstone: Strange Stories by Elizabeth Hand (reprint collection, 1 original)
  • Favorite Story: “The Least Trumps” should appeal to the booklover in every single one of us.
  • Recommended: These are definitely interesting stories, but I’d only recommend for “The Least Trumps” and “Cleopatra Brimstone.” She’s got a poetic style here that didn't always work for me.
After the Apocalypse by Maureen F. McHugh (reprint collection, 2 original)
  • Favorite Story: “Special Economics” which follows a Chinese girl trapped into working at a factory.
  • Recommended: Yes, though it’s also one of the few themed collections (versus themed anthologies) that I’ve seen, with every story dealing with apocalypse in some way.
Sourdough and Other Stories by Angela Slatter (mostly original collection/short story cycle)
  • Favorite Story: “Gallowberries” which features Patience from the Tor.com novella Of Sorrow and Such as a young woman.
  • Recommended: Yes, absolutely. Every story is in the same setting, and they all interconnect with each other. I can’t wait to read more from Slatter (I already have The Bitterwood Bible and Other Recountings).
That Ways Lies Camelot by Janny Wurts (mostly reprint collection)
  • Favorite Story: tie between “Wayfinder” and “That Way Lies Camelot” – both are great stories, the first a coming of age, and the other is bittersweet.
  • Recommended: Yes, definitely. In addition to the above, “Dreambridge” is also awesome. I wasn’t as fond of the three ElfQuest stories, but it was interesting to read Wurts’s 4 Fleet stories as I never realized she ever wrote anything close to straight science fiction.

  • Hard Mode: … Yes?
  • Other Options: This is the most open-ended square for this particular Bingo Card, especially since at the time of this post, I own 121 unread anthologies and collections.
18. Big Dumb Object:
Alien Artifacts edited by Joshua Palmatier & Patricia Bray (original anthology)
  • Reason: This was one of the books that made me realize I could do an all-short-story card. I thought the anthology’s theme would perfectly encapsulate the square.
  • Favorite Story: “Me and Alice” by Angela Penrose – a kid finds a strange artifact while digging at a site.
  • Recommended: Yes, though a few stories weren’t to my taste.
  • Hard Mode: No, while the classical BDO is present in several stories, most would fall in the wider definition being used for Bingo.
  • Other Options: I’m at a loss here, as I never looked for more after I found this.
19. Feminist Novel:
Skin Folk by Nalo Hopkinson (collection, mix of reprint and original)
  • Reason: I owned this already from a Humble Bundle.
  • Favorite Story: “And the Lillies-Them A-Blow” – a woman is inspired to reconsider her life.
  • Recommended: Yes.
  • Hard Mode: Yes, Hopkinson is a Jamaican-born Canadian.
  • Other Options: I had a few other books from the same Humble Bundle called Women of SFF. Most of them would’ve worked.
20. Novel by a Canadian Author:
The Very Best of Charles de Lint by Charles de Lint (reprint collection)
  • Reason: It appears I picked this up in 2014 for some reason (I’ve never read de Lint before this year). But he’s Canadian!
  • Favorite Story: There are honestly too many to say, but I’ll say “In the Pines” for now.
  • Recommended: Yes, yes, yes. I basically added everything he’s written to my TBR.
  • Hard Mode: Maybe, it was originally published in 2010 with Tachyon Publications, but in 2014 it was reprinted by de Lint’s Triskell Press (which is the copy I have), which would count.
  • Other Options: A friend sent me an anthology edited by Dominik Parisien called Clockwork Canada: Steampunk Fiction, though I would’ve had to juggle square to get it to work. Nalo Hopkinson is Canadian, so Skin Folk would’ve worked, too. Jo Walton has a collection called Starlings.
21. Novel with a Number in the Title:
Nine White Horses: Nine Tales of Horses and Magic by Judith Tarr (reprint collection)
  • Reason: At the time, the only collection I had with a number that I could use.
  • Favorite Story: “Classical Horses” – an absolutely lovely story that mixes real life and fantasy, and appeals to my Classics nerd background.
  • Recommended: Yes! Tarr is a wonderful writer.
  • Hard Mode: Yes.
  • Other Options: I could’ve used The Golem of Deneb Seven and Other Stories by Alex Shvartsman, Nine Hundred Grandmothers by R. A. Lafferty, and The Rule of Three and Other Stories by Lawrence M. Schoen.
22. Romantic Fantasy/Paranormal Romance:
Once Upon a Kiss: 17 Romantic Faerie Tales published by Anthea Sharp (original anthology)
  • Reason: My original first choice was a bust when I realized quickly that the stories involved love, but were not romance stories. This was an emergency backup as I was nearing the end of reading for this Bingo Challenge.
  • Favorite Story: “The Bakers Grimm” by Hailey Edwards, which is a sweet little story about baking under pressure.
  • Recommended: No. 99% of the stories are direct appeals to try to get you to buy their books. Many of the stories don’t even really feel like short stories. I had a friend who only read urban fantasy who was adamant that she hated reading short stories and I couldn’t figure out why. Now I do. Many of these read more like vignettes than proper short stories.
  • Hard Mode: No, the HEA Club hasn’t done any anthologies or collections for me to participate in.
  • Other Options: My backup would’ve been to find some paranormal romance series and look for a collection or anthology in that world, but it would’ve involved more prep reading.
23. Novel with a Magical Pet:
No True Way: All-New Tales of Valdemar edited by Mercedes Lackey (original anthology)
  • Reason: Valdemar is an easy setting to choose for this square, and even though I had stopped reading the yearly anthologies (they’re up to 13 or 14 now), I decided to grab the 8th anthology from the library.
  • Favorite Story: “A Dream Reborn” by Dylan Birtolo, a beggar girl with a gift grows a conscience.
  • Recommended: Only if you’re a Valdemar fan and you literally can’t get enough of the world (I’d recommend sticking with the novels up until the Collegium Chronicles).
  • Hard Mode: Yes, Companions can usually speak telepathically with their Heralds and a select few others.
  • Other Options: I’m sure there’s a themed anthology perfect for this, but I honestly don’t know offhand if there is one, since this was an easy choice for me.
24. Graphic Novel (at least 1 volume) OR Audiobook/Audiodrama:
Eerie Archives, Volume 1 edited by Archie Goodwin (original comic book anthology)
  • Reason: I searched “comics anthology” into my library’s digital catalog. This showed up.
  • Favorite Story: No real favorite, but I guess “Flame Fiend” by Eando Binder, about a man desperate to avoid fire.
  • Recommended: Yes, if you’re interested in 1960s horror comics anthology magazines. Each story is about 6-10 pages long, but many felt like cheesy horror to my modern eyes.
  • Hard Mode: Maybe, each story is standalone, but this book contained the first 5 issues of Eerie comics. I’m going with No because Eerie is a running series.
  • Other Options: I considered The Escapist (inspired from Michael Chabon’s The Amazing Adventures of Kavalier and Clay), a Mouse Guard comics anthology, and Thrilling Adventure Hour before finding Eerie. I also though the Eisner Awards were a good source of finding potential comics anthologies, since that's a category.
25. Novel Featuring Politics:
Retief! by Keith Laumer (reprint collection)
  • Reason: I knew the main character was a problem-solving diplomat, so this was an easy pick.
  • Favorite Story: “Diplomat-at-Arms” which is a great story of following an experienced old man on a mission, and “Cultural Exchange,” a really funny bureaucratic tale (and this one is free on Project Gutenberg).
  • Recommended: Yes, with reservations. They’re all stories from the 1960s, they’re bureaucratic galactic pulp fiction where Retief always knows better than his bumbling superiors and women only show up in secretarial or minor support roles. The stories also feel a bit repetitive as a whole, so if you read these, space it out.
  • Hard Mode: No, several of the stories feature royalty.
  • Other Options: I felt like this was a nebulous category, but offhand, I’d suggest Do Not Go Quietly: An Anthology of Victory in Defiance edited by Jason Sizemore & Lesley Conner and Resist: Tales from a Future Worth Fighting Against edited by Gary Whitta, Christie Yant, and Hugh Howey for two explicitly political anthologies, and maybe something like Harry Turtledove’s interlinked collection Agent of Byzantium for an alternate history take on a Byzantine special agent.
Favorites
  • Favorite collections: The Very Best of Charles de Lint by Charles de Lint, Ingathering: The Complete People Stories by Zenna Henderson, Sooner or Later Everything Falls into the Sea by Sarah Pinsker, Sourdough and Other Stories by Angela Slatter, and Nine White Horses by Judith Tarr
  • Favorite anthologies: Ex Libris edited by Paula Guran and The Book of the Dead edited by Jared Shurin
  • Favorite overall short stories: In addition to my favorite stories in the books above, I’d also give a special place to The Very Best of Charles de Lint (“In the Pines,” “In the House of My Enemy,” “A Wish Named Arnold,” “Mr. Truepenny's Book Emporium and Gallery,” “Pixel Pixies,” “The Badger in the Bag,” “Timeskip,” “Into the Green,” “Birds,” and “Pal o' Mine”) and to Sooner or Later Everything Falls into the Sea (“And Then There Were (N-One),” “In Joy, Knowing the Abyss Behind,” “Our Lady of the Open Road,” “Wind Will Rove,” and “A Stretch of Highway Two Lanes Wide”).
  • An Aside: My father died suddenly in the middle of my reading for this challenge. The books I read from Zenna Henderson and Charles de Lint really helped me during this time, with de Lint’s book making me cry multiple times (in a good way).
The End
Sometime last year after touting one short story or another to my friends, I said, “Oh, I don’t think I read *that* much short fiction,” and they all looked at me funny for some reason.
Oh. Never mind. I get it now.
All joking aside, I’ve read SF/F magazines off and on growing up, and I always enjoyed the occasional Year’s Best Science Fiction anthology from Gardner Dozois, and Robert Silverberg’s Legends anthologies were rather formative to my growth as a fantasy reader (that’s where I read George R.R. Martin and Robin Hobb for the first time). Some of my favorite writers have done amazing short stories (in fact, I think I like Alastair Reynolds better at the short length than the novel; witness my love for his story “Zima Blue”!). Even if you don’t read more than the usual five short stories for the Bingo Challenge, please consider branching out! I hope I’ve shown with my own card how much variety is out there.
If you’re not sure where to start, your favorite author may have some short stories of their own, either in an anthology or one of their own collections. Mary Robinette Kowal is one of my favorites, and I loved her collection Word Puppets. If they’re prolific enough, they may have a “Best of” book, like The Best of Connie Willis or The Very Best of Kate Elliott. Trying one of the Year’s Best anthologies I mention under #13, Published in 2020, is also a fun way to explore short fiction.
And even though I didn’t read any for my Bingo Challenge, there are tons of SF/F magazines out there to read from on a daily, weekly, monthly, bimonthly, or quarterly schedule. My personal recommendation is for Asimov’s SF, FIYAH, and Fantasy & Science Fiction for subscription-only options, and places like Clarkesworld, Uncanny, Fireside, and Tor.com for free online stories. There are also some great magazines/sites like Beneath Ceaseless Skies and Daily Science Fiction.
Looking at award lists is a fun way to get started, as most of the major awards also have short fiction categories. Find out where they were published and try out a magazine issue or an anthology.
I’ll end this with the following:
  • an interview by our own tctippens with Jonathan Strahan over at the Fantasy Inn Podcast where they discuss not only his new anthology The Book of Dragons, but reading short fiction in general.
  • Editor Jared Shurin ( pornokitsch ) just came out with The Best of British Fantasy 2019 this past June: check it out!
  • One of my favorite short story writers is John Wiswell, and I’d like to link two of his wonderful stories: "Tank!" follows a sentient tank attending its first SF convention, and "Open House on Haunted Hill" is a very sweet story about a haunted house trying to get sold to a new family. Both stories are quite short and you can read each in just a few minutes.
  • And finally… this is what the internet should be: Naomi Kritzer's "Cat Pictures Please"
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Gravity's Rainbow Reading Group | Sections 66-69 | Week 20

Alright, home stretch foax. This section's a beast. Hang in there and keep sharing your insights! All together now...
Section 66
"You will want cause and effect. All right." (663) What an opening - it's almost confrontational, mocking our need for clear narrative structure and causality.
We discover that Thanatz was tossed overboard in the same storm that sent Slothrop off the Anubis and off on his adventure with Frau Gnahb. Thanatz is rescued by someone even stranger - an unnamed Polish undertaker (think on the etymology of that word) who happens to be a lightening aficionado. I'll stop here and comment that, earlier, when Slothrop fell into the water before and after getting on the Anubis, it brought to mind the river Styx in Hades - another underworld. It washes clean one's identity and memory. Makes you forget who you are. And there's traditionally a ferryman, Charon, to help people cross it. Can't help but think that's who saved Thanatz here, carrying him from the land of the dead to the land of the unliving, the preterite detritus of WWII.
(An aside: Speaking of Styx, has anyone listened to Mr. Roboto recently? That song has some Gravity's Rainbow vibes.)
Our undertaker here is inspired by the Franklin myth and is trying to get struck by lightening in order to experience that "singular point, [that] discontinuity in the curve of life" (664) passing from a rate of change of positive infinity to one of negative infinity in the blink of an eye. Seems there's something of a conspiracy among those who have been through this point of infinite inflection - a secret society of lightening heads who are aware not of another reality but of a new layer of reality laid on top of our own. Insight into a higher level of reality, of hidden systems.
We get an example of the content of the lightning-aficionado's publication A Nickel Saved and it's supposedly full of coded messages for Those Who Know, each part being a veiled reference to other topics that contain the true meaning, requiring a true paranoid's ability to see (make?) connections. For example, there are repeated mentions of April, Easter, and Spring - the season of rebirth. To an Amperage Contest and lightbulbs failing - Byron the Bulb's attempts to strike back, perchance? A screen-door salesman - what is a screen door except a permeable interface?
But our undertaker isn't interested in secret knowledge - he just wants to be a better businessman - and he deposits Thanatz on the shore and rows back off into the storm. Here, Thanatz meets a group of 175s - men formerly imprisoned in the Dora camp for being gay - who have formed their own solitary community in this isolated section of northern Germany.
I suspect some of this imagery may initially shock readers - concentration camp victims who want to return to their prison? Who set up their own 175-Stadt to recreate the conditions of their imprisonment? But think about it - just last section, we saw Katje, someone who's been used and abused by those in power, balk at the thought of being truly free because she had become dependent on systems of control. She had integrated those control systems as part of her identity, her sense of self. "She needs the whip," Blicero wrote of her (662). Just like Katje, these men became so conditioned to depend on a system of total control and rigid social hierarchies that they don't know how to function without it. Their 175-Stadt doesn't seem like such a ridiculously dark, inappropriate caricature now, does it? Because isn't that a central point of this book - that everyone has been conditioned to need control, to need Their System, to not know how to function without it? Slothrop was our perfect everyman from within this system, and look at what it took for him to actually be free (and even then, the ideal of America still has a colonial outpost in his head). But in their 175-Stadt, these men at least control their system of control. They built it, they staff every level of it, and it's entirely under their control. An isolated state, separate from the broader System. But is there a ruler in this system, a king? No, simply the figment of Blicero. His name, his specter, looming over everything. A system of control with no real king? We've seen that before.
Not only that, but this micro-society is not based strictly on the SS command from Dora, but what the prisoners inferred about the rocket command structure in the Mittelwerke. So even their "recreation" of their imprisonment is an approximation of a different system. I'd also stop here to comment that, is this imagery really as ridiculous/insane as it first appears? I'd say no, since the queeS&M community absolutely took inspiration from Nazi uniforms as symbols of dominance and control, repurposing it into fetishwear. But then, as in this 175-Stadt, the control is by choice, as is the submission. As we've seen elsewhere in this book (Blicero's Oven-State), turning submission into a fetish can be a form of rebellion, since it subverts Their means of control (fear of pain) and turns it into a source of pleasure. Is it truly control if you're choosing it? Enjoying it? No one said this book asks easy questions of its readers...
Thanatz keeps looking for answers, and gets swept up amidst the vast swarms of preterite Displaced Persons being shifted across the zone. What's concerning is that these supposedly-free, albeit displaced, people, are shuffled without purpose across the Zone, with minimal food, water, or medicine, being "herded into wire enclosure[s]" and shipped around in freight cars, "deloused, poked, palpated, named, numbered, consigned, invoiced, misrouted, detained, ignored" (669). It's almost impossible to miss the painful similarity here to the treatment of Jews and other victims of the Holocaust. Only here the mistreatment isn't out of some pathological hatred, simply a system without a place for so many people, and without the committed resources to actually, effectively help them. The thought is unsettling, since we like to imagine that only Naziesque hatred could prompt such brutal mistreatment, not apathy.
Finally, he's rescued by the Schwarzkommando thanks to his knowledge of Blicero and the firing of Rocket 00000. Here, we learn a bit more about what happened that day. Looking into Blicero's eyes, he saw windmills reflected, though none were in the area. Another four-way mandala, like we saw last week with Slothrop. Thanatz isn't in great mental shape by this point, and he's beginning to equate Gottfried and Bianca both as his children. Why? Because he felt some sense of responsibility to them? Because he failed them? Either way, the Schwarzkommando learn all they need from him about that fateful noon on the Heath, though we do not. The section ends with a simple touch of hands between Enzian and Christian, a moment of connection, of trust.
Section 67
Man, how do I even start summarizing this complete doozy of a section? As Weissenburger writes, "In this episode the narration begins to fragment." (344) Ya don't say... Well, here goes.
We being one serious trip of a section with Slothrop, as part of a rather unimpressive team of quasi-superheros (the "Floundering Four") fighting against evil ol' Broderick Slothrop amidst the factory-state (a Metropolis-like iteration of the Rocket-State with movable buildings?!). Broderick, in the role of comic book supervillain, keeps trying to off Slothrop, but our hero has a lucky streak just wide enough to keep him alive.
Right off the bat, we see another image of the chessboard - the whole factory-state is laid out in a grid, and it's all A Game of Chess, as der Springer already informed us, and our movements are limited. Crucially, "Your objective is not the King - there is no King - but momentary targets such as the Radiant Hour." (674) How can you win at chess when there's no King? How can the land be restored and the cycle renewed if there's no King to die and be replaced?
Slothrop is joined by a truly slipshod lot: Myrtle Miraculous, the only one who seems to have actual powers; Maximilian, a suave Black club manager who can flow with all natural rhythms and thus able to navigate any scenario with ease, and Marcel, a mechanical chess player (an embodiment of the Mechanical Turk, but crucially, one without the hidden human operator. No hidden Grandmaster lurking inside Marcel here - nope, this android's the real deal.
This section includes one of my favorite quotes from the book: "Decisions are never really made - at best they manager to emerge, from a chaos of peeves, whims, hallucinations and all-round assholery." (676) I can think of several times where I've been able to relate to that scenario all too well.
Their chances for success and failure are equal, but these opposing odds don't cancel each other out - instead, the two opposing forces just create a "loud dissonance". The crew undertake some truly hallucinatory adventures through the Racketen-Stadt which I will not attempt to summarize, as that would be an exercise in futility. But we are treated to flashes of Slothrop, "Broderick and Nalline's shadow-child, their unconfessed, their monster son," (677) getting locked in an icebox, piloting a mobile building through the grid-streets of the factory-state like a giant chess piece. One line really jumps out at me, here, that I think is important: "Their struggle is not the only, or even the ultimate one. Indeed, not only are there many other struggles, but there are also spectators, watching, as spectators will do, hundreds of thousands of them." (679) Makes me think of the "glozing neuters," mentioned earlier - of the masses of people who are just trying to live their lives, neither part of any conspiracy nor actively aware of being subject to one. Must be nice. At the same time, the idea of other, simultaneous struggles, is noteworthy - it brings to mind the concept of intersectionality, and how people realizing their unique, individual struggles share common sources, and common traits, which they can work together to fight.
We end this sub-section in an arena for these exact masses, where our heroes are on a stakeout, with Slothrop in full drag waiting in the Transvestites' Toilet for a message.
You may be wondering about the multiple instances of cross-dressing, in various iterations, throughout the book. Slothrop in drag and Blicero in a wig and merkin come to mind. One aspect, I'd say, is that it reflects a blending of two (as far as society is generally concerned) binary opposites. A crossing-over, a transgression against the status quo and an option other than 1 or 0.
Eliot, in his Notes on The Waste Land, wrote,
"Tiresias, although a mere spectator and not indeed a 'character', is yet the most important personage in the poem, uniting all the rest. Just as the one-eyed merchant, seller of currants, melts into the Phoenician Sailor, and the latter is not wholly distinct from Ferdinand Prince of Naples, so all the women are one woman, and the two sexes meet in Tiresias. What Tiresias sees, in fact, is the substance of the poem." (Emphasis mine).
Cue Crutchfield the Westwardman's world of only one of everything. Likewise, the women in Gravity's Rainbow often blend together, share traits or imagery. So do the men. The joining of the two sexes in Blicero, as well as Slothrop here at the end, is significant.
The Low-Frequency Listeners
The introduction here of the character of Rohr, the Keeper of the Antenna, specifically as a Jehovah's witness, was odd. It's such a specific subsect of Christianity. Then we see - he heard a man on the radio, dying, asking for a priest. Rohr says, "Should I have got on and told him about priests? Would he've found any comfort in that?" (682). In what? I had to look it up, but when I did, it clicked - Jehovah's witnesses apparently do not have priests, because they are all ordained. There is no separate priest caste in their church, and thus no Preterite/Elect division. In this section, we also learn that the Nuremberg trials are getting underway.
Mom Slothrop's Letter to Ambassador Kennedy
You start to feel even more sorry for Slothrop as you realize just how terrible his parents apparently were. His mom cares enough to at least write another letter asking Ambassador Kennedy as to what the hell happened to their son, but her letter quickly devolves into drunken ramblings complaining about striking workers and managing to make an innuendo about Jack Kennedy while also dismissing her love of her sons. Oof. Maybe Otto was right with his conspiracy of mothers...
On the Phrase "Ass-Backwards"
An entertaining linguistic debate between Säure and Slothrop on American idioms, specifically ones involving a reversal, as in the case of "ass-backwards". The section then slips into a story of Säure, in his youth, breaking into the home of a young woman, Minnie, who is unable to hear or pronounce umlauted letters, and thus manages to shout the word "helicopter" rather than "cute robber" well before the vehicle was ever invented. Her cry is heard by none other than a young aerodynamics student. The word is taken as a prophesy and a warning of the helicopter's symbol of the police state, with armed officers hanging out the sides, aiming down at their targets.
My Doper's Cadenza
It begins with a serenade from Bodine, and then an exploration of the tenement building "Der Platz" that is home to numerous drug addicts, dope peddlers, and general ne'er-do-wells. They are building an anti-police moat around the building, entirely underground so as to avoid detection, saving breaking through the street for the end.
Shit 'n' Shinola
Another idiomatic diversion for Säure. A beautiful line is tucked away in here - "from outside, the Hall is golden, the white gold precisely of one lily-of-the-valley petal in 4 o'clock sunlight, serene, at the top of an artificially-graded hill." (687) This building, the Schein-Aula (Seeming-Hall), suggests "persistence, through returns of spring, hopes for love, melting snow and ice, academic Sunday tranquillities, smells of grass just crushed or cut or later turning to hay..." (688) Yet again, imagery of spring, of a return to life from the dead season of winter, of the cycle.
We return to the Roseland Ballroom, where shit 'n' Shinola do actually come together. "Shit, now, is the color white folks are afraid of. Shit is the presence of death, not some abstract-arty character with a scythe but the stiff and rotting corpse itself inside the whiteman's warm and private own asshole, which is getting pretty intimate. That's what that white toilet's for.... that white porcelain's the very emblem of Odorless and Official Death." (688) Here Pynchon cuts straight to the point - the almost pathological fear of death and its connections to fears of blackness, excrement. Shit, Death, and the Word. Edwin Treacle hit on this back on p. 276 when he tried to show his colleagues at the White Visitation "that their feelings about blackness were tied to feelings about shit, and feelings about shit to feelings about putrefaction and death." The cycle of life is too organic, too messy. Better to replace carbon with silicon, to hide shit with porcelain, to treat people with dark skin as "other" or sub-human to avoid acknowledging that their non-European, communal ways of life were, in fact, totally natural.
An Incident in the Transvestites' Toilet
Not King Kong, but a small, costumed ape comes up to Slothrop, who's wearing a Fay Wray dress while waiting in the bathroom for a still-unspecified message. We get a Miltonic blank-verse poem (thanks, Weissenburger!) about the movie King Kong, written in the voice of Anne Darrow (Fay Wray's character). It's honestly quite good - I love the line "in your own stone living space" - the internal rhyme there sounds really nice, and I like the riff on living stone / Livingston, both of which have popped up previously. In the poem, Darrow talks about when she was tied up, hung by the natives as an offering to "the night's one Shape to come" (689), echoing both Greta Erdman's scene in Alpdrücken and the Hanged Man card of the Tarot (willing sacrifice, sacrifice that prompts a return, a renewal of the cycle). Darrow says she prayed, "not for Jack," her suave costar, but for her director Carl Denham, "only him, with gun and camera... making the unreal reel / By shooting at it, one way or the other-" (689). Throughout GR, we've seen a film motif, and this really brings it home. The analogy of a gun to a camera, both of which make the unreal real (a camera creates films that interpret real life - the "unreal reel", a gun makes death, which we've blocked away and tried to avoid, real and inescapable). The director is in control of the movie, the actors, the story, of how it works and what is told. Darrow ends by asking Carl to "show me the key light, whisper me a line..." - a key light is used in cinema and photography to not just shed light on the subject, but to do so in a way that provides form and dimension to the subject and the scene. So Darrow is asking for the director to literally give her form and definition, to tell her what to say next.
This ape, though, isn't so Romantic as ol' Kong though, and is much more direct. It hands Slothrop an anarchist's bomb straight out of the comics pages, and takes off. Slothrop freezes and is saved by a helpful transvestite who takes the bomb and flushes it down the toilet. But it explodes anyway, sending geysers of water up out of all the toilets. A Voice comes out of he Loudspeaker informing everyone that it was, in fact, a sodium bomb that explodes upon contact with water. Tellls everyone to get the "dangerous maniac" who threw it. That was supposed to be Slothrop, but he was saved by his indecision and the kindness of a stranger, who is now set upon by the other occupants of the toilet.
A Moment of Fun with Takeshi and Ichizo, the Komical Kamikazes
We now jump to a pair of comically-mismatched Kamikaze pilots stationed on a remote island well away from any conflict. One flies a Zero, the other flies an "Ohka device" which is basically a rocket-bomb with a pilot's seat. They get moonshine from their radarman, Kenosho, who mocks them daily for the lack of opportunities to fly to their deaths and who comes up with haikus that, while in the right format, really miss the heart of what a haiku is supposed to be.
Streets
Back to Slothrop, now, and a catalogue of the streets he's traveled down and what he's seen. We get a meditation on the absurdity of army chaplains, who worked for the Army and "stood up and talked to the men who were going to die about God, death, nothingness, redemption, salvation." (693) And it does seem a bit absurd when you consider that the Army that employs the chaplains is the same entity sending the men off to die. We see a bus driver (perchance our maniac bus driver from earlier?) driving through town in the night, his passengers looking out the windows, their faces "drowned-man green, insomniac, tobacco-starved, scared, not of tomorrow, not yet, but of this pause in their night-passage, of how easy it will be to lose, and how much it will hurt..." (693) Going back to the Waste Land, the phrase "I do not find / The Hanged Man. Fear death by water." is symbolic of a death without return (drowning) contrasted to the sacrifice/return symbolized by The Hanged Man. These poor passengers, it seems, aren't to expect any return.
Slothrop also, at this point, learns of the bombing of Hiroshima from a discarded Army newspaper, the photo of the atomic blast placed in poor taste next to an image of a pin-up girl. The bomb's mushroom cloud is compared to the Cross, to a capital-T Tree. But which tree? Is this a meditation on the deadly, unforgettable knowledge of how to split the atom, or of the tree of life, with the citizens of Hiroshima as a sacrifice made... but to what? I'm honestly not sure. Would love your thoughts.
Listening to the Toilet
As others have noted, this book in many ways is about the drug counterculture and hippie movement of the 60s/early 70s. This is the most overt in this section, in which we learn that listening for the cessation of the flow of water to the toilet in the pipes is a cue that a police raid is imminent - shutting off the water being a way to prevent the flushing of illicit substances. But it takes a special ear to hear the cessation of a subtle, pervasive white noise. What if the sun, in fact, massive furnace that it is, emits a constant, low-level roar that is so incessant we don't even hear it? What if eddies in the current of the Soniferous Aether cause rare spots of true quiet, where the noise is no longer transmitted and anyone in that spot can hear their own heartbeat it's so quiet? Interestingly, there are "quiet rooms" designed to absorb nearly all sound, used for precise sound calibration. I remember reading that most people can't sit in one of those rooms for more than 30 minutes or so because it's literally so quiet that you can hear the blood flowing through your veins, and people have even reported auditory hallucinations as a result. But why this digression? Maybe because we need to be asking what other white noise is out there that we've become completely deaf to? I think Roger and Jessica found a pocket of this quiet, early in the book, where the "noise" of modern society and all its associated obligations was muted by the War.
Witty Repartee
A return to our Komical Kamikazes, and a meditation on the ubiquity of the Hotchkiss machine gun across nations, independent of alliances. We get an image of a false King - an inbred idiot lying naked in a dumpster, attracting the attention of potential revolutionaries. But they can't decide if he's "a diversionary nuisance planted here by the Management, or whether he's real Decadent Aristocracy to be held for real ransom" (698). While the would-be revolutionaries are debating in the alley, sentries with the aforementioned Hotchkiss guns take positions on the rooftops, aiming down...
Heart-to-Heart, Man-to-Man
A dialogue here between Slothrop and ol' Broderick, with dear old dad interrogating his wayward son about a modern electric drug. Slothrop reassures him that he'd never shoot raw electricity - no, they dope themselves with waves. Major pre-Cyberpunk vibes here, with Broderick warning "Suppose someday you just plug in and go away and never come back?" to which Tyrone replies, "What do you think every electrofreak dreams about? .... Maybe there is a Machine to take us away, take us completely, suck us out through the electrodes out of the skull 'n' into the Machine and live there forever.... We can live forever, in a clean, honest, purified Electroworld-" (699). Matrix, anyone? Not to mention the waves of radio, TV, etc. and the simple, episodic, controlled reality they offer. Pleasantville also comes to mind, with all its commentary on the shows of the era.
Some Characteristics of Imipolex G
We learn that Imipolex G is the first erectile plastic, stiffening in response to certain electronic stimuli. The potential of a layer of controlling wires just under the outer layer of Imipolex, making it a second skin - a synthetic interface. Alternately, there's the potential to control it via a projection of "an electronic 'image; analogous to a motion picture." (700)
My gods, I made it through this section...
Section 68
Tchitcherine now, dealing with a spook, Nikolai Ripov, from the Commissariat for Intelligence Activities. His pal Džabajev has run off with "two local derelicts" (700) and is impersonating Frank Sinatra and wooing the ladies of the Zone. We get the line, "While nobles are crying in their nights' chains, the squires sing. The terrible politics of the Grail can never touch them. Song is the magic cape." (701) - Seems another example of folks recognizing the game, the Grail quest, for what it was and checking out - deciding not to play and just enjoy themselves while the Elect lose sleep over the endless searching.
Ripov explains to Tchitcherine how "the basic problem... has always been getting other people to die for you." (701) Religion used to serve as an effective control for that reason - death isn't quite as scary if you think you're going to heaven. But modern society has moved on, and needs more secular sources of control, like a commitment to "History" as if you're part of some great narrative, sacrificing yourself for some imagined end-goal of what society is "supposed" to be.
Seems Tchitcherine was doping on Oneirine theophosphate. Wimpe, his dealer, argues that a man is "only real at the points of decision. The time between doesn't matter." (702) Points man again - the moment of decision, of choice, that splits the future in two. Points of control. Contrast that to:
"Datta: what have we given? / My friend, blood shaking my heart / The awful daring of a moment’s surrender / Which an age of prudence can never retract / By this, and this only, we have existed." (The Waste Land, Part V: What the Thunder Said - emphasis mine).
Both are arguing that it's these key moments, irreversible junctures in our lives that make us real. Not what comes next, not what people say about us, just our moments. Integrate those moments, run them fast enough (say 24 frames per second) and you might even approximate something close to a person...
We learn that Oneirine apparently leads to "the dullest hallucinations known to psychopharmacology" (703) - hauntings of the mundane, the almost-normal.
Tchitcherine's Haunting
Tchitcherine hallucinates that Ripov is interrogating him, and he becomes fixated on the question of whether or not he was supposed to die. Seems like part of him wants to believe in life after death, in some hope for meaning, which goes against the Soviet doctrine and thus isn't exactly endearing him to those above him. Thankfully this is just an Oneirine haunting, except... wait, it's too real - no subtle violations of reality. He tries to escape, but is outnumbered. But no execution for him here - just a reassignment to Central Asia. A cold and operational death.
Section 69
"The dearest nation of all is one that will survive no longer than you and I, a common movement at the mercy of death and time: the ad hoc adventure." - Resolutions of the Gross Suckling Conference (706)
In other words, they seek a nation that does not function independently of its citizens - one that is not some separate identity with a quasi-personhood (much like how corporations are legally "people"). Rather, a nation that is inextricably linked to the people and that will die when they do. No immortality, no denial of the cycle or death.
But poor Roger's still dealing with Jessica, and now with Jeremy, too, who he's at least amicable with. But he's struggling with their acceptance of the System, their embracing of it. Jeremy's all about reassembling the rockets and firing them, asking "What else does one do with a rocket?" (note how disassembling it or at least not using the weapon isn't even an option...).
Jeremy's even so kind as to invite Roger to a fancy dinner with a bunch of corporate bigwigs, including folks from Krupp, ICI, and GE, and hosted by one Stefan Utgarthaloki, whose name should be a giant red-flag that something's amiss with this shindig. Roger picks Seaman Bodine as his date, the two having struck up a rather theatrical friendship, dress in their absurdist best (Bodine in the mother of all zoot suits), and join the party.
We get some insight here into the nature of rebellions, and the danger of them not only fizzling out or failing, but of being co-opted as a tool to "help legitimize Them" (713). Of either dying or "living on as Their pet" - it brings to mind the corporate branding of "rebelliousness" as cool, as "a phase" that it's normal to go through and eventually grow up from. Treating the idealism of youth, the desire to make the world better and to fight against the problems of the system before you become numb to them, as a normal phase of life is such an effective way to neutralize it culturally. How many people have heard the phrase "you get conservative [i.e. more resistant to change] as you get older"? How many of us have seen youth-led movements being dismissed as examples of immaturity, for example? Between that and companies stamping their logo on it (hello, Hot Topic), it's a way to change the cultural narrative around any movement against the status quo to one that's dismissive, just accepting enough to let people burn off their energy and eventually fall into line. Because how else can you continue to live a decent life in a society that refuses to change? You either go build a shack in the woods somewhere, die, or acclimate to the system and just focus on being comfortable yourself, not constantly fighting for change. It's a depressing thought, and I'm sure Pynchon saw a lot of that attitude in the 60s. I have to wonder - do non-industrialized societies have "teenage rebellion" as a normal part of life? Is that a part of human nature, like we tend to think, or is it an explicit reaction to reaching maturity in a system that is anti-human and anti-nature?
Anyway, back to the dinner party - between the depressing, anti-social music (kazoos?!) and the lavish dinner, things seem fine, but there's a plot against the Roger and Bodine. Fortunately a journalist, Constance, tips off Bodine that they might just be the main course of this feast, so Bodine cues Roger to begin the evening show - an absurd gross-out session that they planned in advance with the aid of now-deceased Pudding communicating via medium Carroll Eventyr. The pair recite an increasingly disgusting list of alliterative dishes, triggering "well-bred gagging" and guests to flee, though a few find it all quite entertaining. But it's enough to break up the dinner party and allow our heroes to flee.
Note: If you made it this far, actually read all this, thank you. Bloom warned me this was a longer section, and boy, he wasn't kidding. I think this is longer than some college essays I wrote... Damn fun, though, and I hope you've found my thoughts informative, interesting, useful, or if nothing else, sufficiently diversionary for a spell. I truly look forward to seeing what you other fine foax have to say on these labrynthine sections.
Questions
  1. In the lightning-aficionado's "A Nickel Saved" excerpt, are there any other references or hidden ideas you can find? I have to think there are.
  2. What is the meaning of the windmill reflected in Blicero's eyes? How do you interpret the imagery in this scene in general?
  3. 175-Stadt. Oven-State. Hund-Stadt. Rocket-State. Factory-State. We've seen numerous examples of specialized micro-states across the Zone, experiments in different forms of society. What are your thoughts on these? Are they hints at ways to find alternate societies, or manifestations of humanity's tendency to divide by category and put of fences?
  4. In the "Shit 'n' Shinola" subsection, Pynchon connects Jack Kennedy, Malcolm X, and Tyrone Slothrop. What do you make of this intersection?
  5. In "Streets," the bombing of Hiroshima is presented as being similar to the Cross, "it is also, perhaps, a Tree..." - the capitalized "Tree" here could be the tree of knowledge, the tree of life, the tree from which the Hanged Man dangles, or perhaps something else. What's your interpretation of this imagery?
  6. In Section 69, we see references to the Albatross, famous symbol from The Rime of the Ancient Mariner. It's presented that Slothrop is the (now-plucked) albatross, but it's not clear who killed this bird, or who's wearing it around their neck. They? Any ideas?
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